Pitchfork's Best New Music
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- beysus
- Posts : 643
Join date : 2020-03-25
Pitchfork's Best New Music
Sat Jun 13, 2020 7:40 pm
PITCHFORK'S BEST NEW MUSIC OF THE MONTH
Every week, Pitchfork Magazine (@venti) will post what they believe are the best 4 new tracks released that month.
Every review is subjective, and should not be taken personally. A song being listed as one of the best tracks of the month will not affect its chart performance. This is simply a fun thing for bragging rights.
Every review is subjective, and should not be taken personally. A song being listed as one of the best tracks of the month will not affect its chart performance. This is simply a fun thing for bragging rights.
- beysus
- Posts : 643
Join date : 2020-03-25
Re: Pitchfork's Best New Music
Sat Jun 13, 2020 7:45 pm
WEEK OF JUNE 12TH, 2020
Unless you are under the age of 16, you have probably never heard of Shawn Mendes, however, with the release of his debut single, that is surely about to change. The 21-year-old singer rose to social media fame in the past years with his covers. Gaining a remarkable 3 million Tik Tok followers in the past 6 months, it is a no brainer why Republic Records rushed to sign him. While the bar is never set high for the music of overnight viral sensations, see Justin Bieber’s 2009 single “One Time”, this Canadian pop-singer manages to shatter any possible expectations with “My, My, My!
On “My My My!”—one of the first great songs of what has been a subpar year in music—Mendes is celebrating pure joy, the feeling of being swept up and rendered invincible by new love. The song opens with what feels like synth-pop heaven, then launches into a chilling verse. “Shine on, diamond/Don't make me wait another day/'Cause passion is passion/You know it just as well as me,” he sings to his newfound love, eager to begin what can be a wonderland of a relationship. Unlike most male pop singers, “My My My!” is not rampant with sexual innuendos or pleas of how desperate Mendes is to engage in sex. The lyrics are soft—flamboyant. This may not be the word that a young, particularly straight, man wants to be associated with, but Mendes fully embraces it within the song. Even the artwork represents such a feeling, with a touch of pink being added on top of his eyes.
“My My My!” may potentially mark the start of the career of one of today’s most forward-thinking pop superstars, or the one-off spark of tomorrow’s next “remember [insert fad musician]?”. Regardless of the outcome, the song will forever trance its listeners with one phrase exiting their mouths. “Oh my, my, my”.
@jackgrande
This track should have been left in drafts. If OFF TEMPER ENTERTAINMENT has any sense, they should drop Tyler, The Creator immediately.
@venti
Unless you are under the age of 16, you have probably never heard of Shawn Mendes, however, with the release of his debut single, that is surely about to change. The 21-year-old singer rose to social media fame in the past years with his covers. Gaining a remarkable 3 million Tik Tok followers in the past 6 months, it is a no brainer why Republic Records rushed to sign him. While the bar is never set high for the music of overnight viral sensations, see Justin Bieber’s 2009 single “One Time”, this Canadian pop-singer manages to shatter any possible expectations with “My, My, My!
On “My My My!”—one of the first great songs of what has been a subpar year in music—Mendes is celebrating pure joy, the feeling of being swept up and rendered invincible by new love. The song opens with what feels like synth-pop heaven, then launches into a chilling verse. “Shine on, diamond/Don't make me wait another day/'Cause passion is passion/You know it just as well as me,” he sings to his newfound love, eager to begin what can be a wonderland of a relationship. Unlike most male pop singers, “My My My!” is not rampant with sexual innuendos or pleas of how desperate Mendes is to engage in sex. The lyrics are soft—flamboyant. This may not be the word that a young, particularly straight, man wants to be associated with, but Mendes fully embraces it within the song. Even the artwork represents such a feeling, with a touch of pink being added on top of his eyes.
“My My My!” may potentially mark the start of the career of one of today’s most forward-thinking pop superstars, or the one-off spark of tomorrow’s next “remember [insert fad musician]?”. Regardless of the outcome, the song will forever trance its listeners with one phrase exiting their mouths. “Oh my, my, my”.
@jackgrande
This track should have been left in drafts. If OFF TEMPER ENTERTAINMENT has any sense, they should drop Tyler, The Creator immediately.
@venti
Re: Pitchfork's Best New Music
Wed Jul 08, 2020 2:19 pm
June 2020
4. Victoria Monét - Sticky
- Review:
- Known mostly for her behind the scenes work, co-writing tracks for massive artists such as Ariana Grande and Fifth Harmony, many people were wondering whether Victoria could deliver with her own solo output. Luckily Victoria not only delivered, but she decided to subvert expectations by not releasing one of the usual pop/r&b tunes she usually writes and going full retro. A groovy guitar lead, a vocal performance reminiscent of an early Erykah Badu and a catchy chorus make for one of the most original and enjoyable singles released this year. It is a risky move commercially but it feels like Victoria is aiming for more than just chart success.
@tattooedheart
3. Ava Max - Sweet But Psycho
- Review:
- A catchy pop song is nothing special. That’s what they’re designed to be. Mindless ear-candy for your average 12-34 year old to enjoy for 2 months before it burns out and they move on to the next song. However, every once in a while, a truly infectious pop song comes along. “Sweet But Psycho”, the debut single by newcomer Ava Max, is exactly that. The song knows exactly what it is and plays the part. Yes, the production sounds like a 2009 Lady Gaga song, but that’s the point. Ava happily embraces a dated sound to give the listener the feeling of nostalgia. Can she build a career off of this concept? Time will tell. But will Sweet But Psycho remain a standout debut single? Yes.
@act2
2. Normani - Link Up
- Review:
- If Link Up by ex-Fifth Harmony member Normani is any indication for how the rest of her music will be, we may very well be witnessing a superstar in the making far larger than the group she originated from. The track is a trap/rnb anthem that showcases both Normani's vocal and rap skill. The track has a nonchalant vibe with Normani boasting her lavish lifestyle and riches. However, at some points this feels out of place for such a new artist in the field. The production quality was also of the highest quality adding to the hype feel it gives. Overall, Link Up is an earworm that will surely be taking over the airwaves in the summer.
@venti
1. Camila Cabello - She Loves Control
- Review:
- Camila Cabello’s debut single balances her latin roots with modern day pop, turning it into an instant must listen for the month of July. The track is most certainly competing for the Song of the Summer title with Cabello’s smooth vocals and catchy lyrics blending in with a refreshing production almost flawlessly.
@beysus
ACT2 likes this post
Re: Pitchfork's Best New Music
Fri Aug 21, 2020 10:43 am
July 2020
4. Katy Perry - Harleys In Hawaii
- Review:
- If anyone took the "song of the summer" race seriously, it was definitely Katy Perry. The newest single from the songstress is an ode to the hawaiian imagery and her significant other, and while some may call this basic or simple, Perry's double entendres and her very visual description of a passionate evening cruising down island roads on a motorbike make this song the perfect laid-back soundtrack to your summer sunsets.
@breakdown
3. Hailee Steinfeld - Starving
- Review:
- Steinfeld's debut album "Passion" came with a plethora of pop anthems, one of them being "Starving", a sultry, EDM-infused track with captivating guitar instrumentals and flirty lyrics. The combination of intimate lyrics and an even more intimate feel to the song make it a must-listen for the month of July, although you most likely will end up hearing everywhere considering its replay value factor and its radio-friendly sound.
@jonnyy
2. Tinashe - Company
- Review:
- Tinashe's soft vocals soar through this genre-defying cut, which doesn't stick to your traditional collection of R&B sounds but also incorporates electronic elements. But what is most interesting is the singer's seemingly effortless confidence across the entire song, which all things considered results in one of the strongest statements of the month of July.
@lady bird
1. Dua Lipa - Don't Start Now
- Review:
- With Don’t Start Now, Dua Lipa achieves something some artists fail to grasp throughout their entire career: timelessness. The song shines in every aspect, whether it be its fresh production or its captivating lyrics. But most of all, it feels like a career reset for Lipa, who seems to finally have gotten past her safe-pop days.
@despy
despy likes this post
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