CAL: Releases

The music video starts with Madison walking on the countryside, humming the melody for “Stained Glass”, except she is a tiny version of herself and everything around her is huge. After a couple of seconds, she sees a mansion in the distance and curiously wanders towards it. It seems like no one is living there, but the house does not look abandoned either. Madison reaches for the door handle and walks inside. She’s then back to her normal size.



She finds herself in a bright light blue room, with clouds all over the walls, ceiling and floor, slowly moving. She looks around innocently, until a hatch on the floor opens below her and she falls through a long tunnel downwards. We get images of Madison falling down, which is reminiscent of Alice’s entrance to Wonderland. After two or three seconds, Madison hits the floor and the video cuts to the title screen as the melody for “Baby” starts playing.

“Madison Beer presents…
BABY (Chapter 1 : Welcome to the Madhouse)”

Next thing we see, she is in an all-black room, which looks like a lobby of some sort. Madison gets up, dusts herself off and starts slowly inspecting the room.



She then sees there are different women who are behind a glass, and can’t see or hear her. They’re standing still, with perfect make up, hair and outfits on. They look like awards on a shelf, or statues in a museum, even having a little plaque beneath their respective glasses stating their name. We get a few shots of Madison singing mixed with shots of her inspecting the place, knocking on the glass trying to get the women to reply or tell her where she is. But no success.

We also see a shot of an empty space behind a glass, with an outfit placed on a coat hanger. The plaque beneath said glass says “MADISON”. It’s the space where she is set to be placed once she goes through whatever the other women have gone through. We also see a different glass, also empty, except we see it has a few cracks on it. We can also see that the plaque beneath the glass has been ripped off. As Madison inspects all of this, two men in all-white uniforms covering their entire body, including their face, show up and forcefully escort Madison to a different room.

We are now in what looks like an empty questioning room, and the camera is recording from up top. Initially she seems rattled and scared, but we can see in her face she’s coming up with a plan.



Madison dances around while looking at the camera, teasing whoever is watching and being purposefully sensual as the song progresses. We then cut to shots of a man in a suit, who seems to be in a monitoring room, staring at a bunch of screens showing images of Madison and what we’ve seen so far. We don’t see anything except his back facing the cameras. And by the looks of it, it seems like he’s enjoying himself to the CCTV he’s watching.



The man then gets up and decides to go into the questioning room Madison is in. He walks in as Madison remains still, with a cheeky side smirk on her face. He puts the keys to the room into his pocket, and then slowly approaches her, gently grabbing her face, motioning in to kiss her. Madison surrenders and even touches him, faking pleasure. As they continue to kiss passionately, Madison looks down and reaches for his pocket, all while stepping on his foot. We see the man scream in pain briefly as Madison pushes him and quickly runs out of the room, locking it behind her and leaving him banging on the door.

When she turns around, she’s now in a room with a giant chess board on the floor and giant chess pieces, arranged in a way that it seems like a game is in course. Each of the pieces also has a little plaque attached to it, with a female name. We are shown a general view of the board which lets us see both Queens, black and white, are missing.



We see shots of Madison singing around the board, inbetween the pieces and rolling on the floor sensually. Madison then walks past the board and sees a spiral marble staircase going up. She starts climbing the steps and eventually ends up before a lavender colored door. She walks in the room and enters a lavender-pink colored room which is empty except for a round platform in the center. She walks up to the platform, which starts spinning, and we get shots of her feeling herself and teasing the camera while she sings the sensual lyrics.



As the ending of the song approaches, the platform starts spinning faster and faster, with Madison’s expression changing to surprise and not knowing what’s coming. Ultimately Madison starts levitating into the air, higher as the seconds go by. She closes her eyes, head up towards the light above her, and extends her arms to each side. She’s clearly feeling pleasure now. As the song abruptly hits, a big beam of light invades the room and everything cuts to black right after. Followed by the text: “to be continued…”

The video begins with a still shot of stage lights turning on, in a rhythm, all focusing on a giant stage set in the middle of the room. The camera pans close to the stage as it cuts to people in the audience sitting still and waiting to be entertained. “WISH I NEVER” in big bold text pops up on the screen, immediately cutting to Zendaya behind the curtains trying to catch a peak of the audience. The music begins and Zendaya slowly makes her way to the stage, walking in tall stiletto heals, wearing a sheer see-through dress, and long straight black hair sleeked back. As the words begin to be sung, she is with the music and starts dancing to the audience. Cuts of the audience being entranced by Zendaya and her beauty and Zendaya herself being shown multiple times. As the chorus kicks in, the camera stills at a mysterious man in the middle of the room observing her, and Z immediately notices him. As the second verse kicks in, this man is all on Zendaya’s mind, she needs his attention. She slowly walks toward him, often pausing to move and groove and entertain. As she approaches him, she hops on his table and get close to his face, singing the words right by his lips. She quickly swerves from him and once again begins to give a show for the rest of the audience, making her way around the room giving everybody a special treat. As the song progresses, she makes her way to the stage again, it’s just her and the lights. The man gets up from his table and makes his way to Zendaya while she’s performing. As the bridge kicks in, they get really close to each other, but not until Zendaya STABS him, killing him for ruining her performance. Zendaya finishes the song while the man collapses down and bleeding out, dying. The song ends and everyone in the audience is to their feet, clapping, and bowing down to Zendaya. The video ends in black.

the video begins with a white background and white noise that keeps getting more and more intense as the white background starts to fade into cl sleeping visually uncomfortable, she wakes up like she woke up from a nightmare and the intense white noise stops. she takes a few breaths and then looks around her and sees a videotape titled "LLM" and a CRT box tv in front of her, she decides to put the videotape inside the tv player and patiently waits, the light of the tv visually making an outline of her silhouette in one shot. you start to hear the intro of Lover Like Me playing faintly through the TV's speaker and the camera zooms into the tv screen and shows you CL in a doll-like position surrounded by TVs showing her face in real-time. she's wearing a long red dress and black boots, "Lover Like Me" pops up on the screen in the same metallic text from the cover art and then CL starts singing the lyrics as the camera zooms out it shows a bunch of different cameras's all focused on her.

in another shot, CL is sitting in a green room filled with sunflowers and sunflower petals as her hair is braided up and chained to the ceiling, she cuts off parts of her hair to escape the small room at the end of the video it then cuts to a shot of CL seen on a Mars-like terrain wearing a long black dress with cheetah print hair while holding a black umbrella as shes rapping to the bridge of the song. and during the final chorus the whole video speeds up and cuts up visually looking like the video is getting distorted and losing signal, during the end of the tape a door opens up in the real world where CL is watching the tape from, she gets up and walks out, the end.

Spotify: https://open.spotify.com/playlist/3qVNuyXYhDiNUOn8cRr47b?si=82e61c29285b447e

1. "Strangers By Nature" - 3:02
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

2. "I Don't Think About You" - 3:44
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

3. "Easy On Me" - 3:44
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

4. "My Little Love" - 6:29
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

5. "Cry Your Heart Out" - 4:15
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

6. "Oh My God" - 3:45
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

7. "Can I Get It" - 3:30
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

8. "Didn't I" - 3:38
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

9. "Solitude" - 1:36
Written by Adele
Produced by Adele

Audio & Lyrics:

10. "I Drink Wine" - 6:16
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

11. "All Night Parking" - 2:41
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

12. "Hold On" - 6:06
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

13. "To Be Loved" - 6:34
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

14. "Picture Me Better" - 3:42
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

15. "Love Is A Game" - 6:34
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

16. "Endless Journey - 1:06
Written by Adele
Produced by Greg Kurstin

Audio & Lyrics:

[Verse 1]
I ain't got too much time to spare
But I'll make time for you to show how much I care
Wish that I would let you break my walls
But I'm still spinning out of control from the fall
Boy, you give good love, I won't lie
It's what keeps me comin' back even though I'm terrified

[Pre-Chorus]
I know that it's wrong
But I want to have fun
Mmm, yeah, mmm, yeah
I know that it's wrong
But I want to have fun
Mmm, yeah, mmm, yeah
[Chorus]
Oh, my God, I can't believe it
Out of all the people in the world
What is the likelihood of jumping
Out of my life and into your arms?
Maybe, baby, I'm just losing my mind
'Cause this is trouble, but it feels right
Teetering on the edge of Heaven and Hell
Is a battle that I cannot fight

[Verse 2]
I'm a fool, but they all think I'm blind
I'd rather be a fool than leave myself behind
I don't have to explain myself to you
I am a grown woman and I do what I want to do

[Pre-Chorus]
I know that it's wrong
But I want to have fun
Mmm, yeah, mmm, yeah
I know that it's wrong
But I want to have fun
Mmm, yeah, mmm, yeah

[Chorus]
Oh, my God, I can't believe it
Out of all the people in the world
What is the likelihood of jumping
Out of my life and into your arms?
Maybe, baby, I'm just losing my mind
'Cause this is trouble, but it feels right
Teetering on the edge of Heaven and Hell
Is a battle that I cannot fight
[Bridge]
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Oh, Lord)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Don't let me let myself down)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Oh, my God)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Oh, oh-oh-oh, oh-oh-oh)

[Chorus]
Oh, my God, I can't believe it
Out of all the people in the world
What is the likelihood of jumping
Out of my life and into your arms?
Maybe, baby, I'm just losing my mind
'Cause this is trouble, but it feels right
Teetering on the edge of Heaven and Hell
When it's a battle that I cannot fight

[Outro]
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (I know that it's wrong, but I want to have fun)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Mmm, yeah, mmm, yeah)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (I know that it's wrong, but I want to have fun)
"Lord, don't let me," I said, "Lord, don't let me"
I said, "Lord, don't let me, let me down" (Mmm, yeah, mmm, yeah)

Spotify: https://open.spotify.com/playlist/3vgHVpBlT9cA9H4wHGr0ZU

1. "dizzy" - 2:38
Written by Harry Styles & Olivia Rodrigo
Produced by Alfie Templeman

Audio & Lyrics:

2. "stuck on us" - 2:55
Written by Harry Styles, Olivia Rodrigo, Dan Nigro
Produced by Dan Nigro

Audio & Lyrics:

3. "’till forever falls apart" - 3:42
Written by Harry Styles, Olivia Rodrigo & FINNEAS
Produced by FINNEAS

Audio & Lyrics:

4. "False Art" - 3:03
Written by Harry Styles, Olivia Rodrigo & Ben Kessler
Produced by Ben Kessler

Audio & Lyrics:

5. "The Night We Met" - 3:29
Written by Harry Styles, Olivia Rodrigo, Ben Schneider & Phoebe Bridgers
Produced by Ben Schneider

Audio & Lyrics:

6. "Peer Pressure" - 2:56
Written by Harry Styles, Olivia Rodrigo & James Bay
Produced by Joel Little

Audio & Lyrics:

7. "Seventeen Going Under" - 4:30
Written by Harry Styles, Olivia Rodrigo & Sam Fender
Produced by Bramwell Bronte

Audio & Lyrics:

[Intro]
Yeah-yeah
Yeah-yeah
Mmm

[Pre-Coro]
Baby, no me llame'
Que yo estoy ocupá' olvidando tus male'
Ya decidí que esta noche se sale
Con toa' mis motomami', con toda mis yale'
[Coro]
Y ando despechá', woah, alocá'
Bajé con un flow nuevo 'e caja, baby, hackeá'
Lo muevo de la'o a la'o y a otro la'o
Hoy salgo con mi baby de la disco coroná'
Y ando despechá', woah, alocá'
Que Dios me libre de volver a tu la'o
Lo muevo de la'o a la'o y a otro la'o
Hoy salgo con mi baby de la disco coroná', coroná', yeah

[Verso]
Voy con la falda, aro' y cadena'
Piña colada, no tengo pena
Voy con la Fefa, ella es la jefa
Ella lo baila, еlla me enseña
Hoy no trabaja еsta morena
Fuck la fama, fuck la faena
La noche está larga, la noche está buena
Mambo violento y fin del problema
Mira qué fácil te lo voy a decir
A, B, C, one, two, three
Mira qué fácil te lo voy a decir
Que esta motomami ya no está pa' ti
Mira qué fácil te lo voy a decir
A, B, C, one, two, three
Mira qué fácil te lo voy a decir
Que esta motomami—

[Coro]
Y ando despechá', woah, alocá'
Bajé con un flow nuevo 'e caja, baby, hackeá'
Lo muevo de la'o a la'o y a otro la'o
Hoy salgo con mi baby de la disco coroná'
Y ando despechá', woah, alocá'
Que Dios me libre de volver a tu la'o
Lo muevo de la'o a la'o y a otro la'o
Hoy salgo con mi baby de la disco coroná', coroná', yeah

[Puente]
Mmm, voy a 180 porque soy una racineta, ¿qué, qué?
Te distrae' y yo te adelanto por la derecha, uh
Voy a 180 porque soy una racineta, ey, ey
Te distrae' y yo te adelanto por la derecha, mmm, mmm, mmm

[Outro]
Yeah-yeah-yeah-yeah-yeah-yeah
Ey
Yeah-yeah-yeah-yeah
Chris Jedi
Gaby, Gaby, Gaby
De Barcelona pa' Santo Domingo
La ROSALÍA, mmm, jaja, je
Jeje
Ey
Uh, uh, uh, uh
Omega
Ey, ey, ey
Uh, uh, uh, uh

[Intro]
(Ah-ah, cherry, ah-ah)

[Verse 1]
Been around long enough to know what I like
Yeah 내 모습만 믿어 오직 me, myself and I
모두가 다 홀로 in the twilight
Handle on my back, find the light
깊은 곳에 빠져도 make it look so casual
주문 걸어 la-la-la, that's magical
믿지 못 할 것들 다
눈이 부셔 못보다
놓쳐버린 pretty views of me, myself and I
[Pre-Chorus]
Hand on my chest, I'm flying
No one can see what I can see
이 세상 어딜가든 there's only one M-E

[Chorus]
I can tie a cherry
Look, I got a gold tongue
몸 안에 케미
Supervision 눈을 떠
닿지 못할 곳에 높이 쏘는
Razzi shot, I'm the target, ya
(Ah-ah) Cherry, spitting fire for fun
Ain't ordinary 모든 게 돌아간다
닿지 못할 곳에 쏘는
Razzi shot, I'm the target, ya
Watch me, watch me, watch me tie a cherry

[Verse 2]
어지러운 길을 걸어 solo
머리속에 돌아가는 소리 keep it low
They be tattooed on me like a logo
Why you always mad?
Chill it down, now

[Pre-Chorus]
Hand on my chest, I'm flying
No one can see what I can see
이 세상 어딜가든 therе's only one M-E
[Chorus]
I can tie a cherry
Look, I got a gold tonguе
몸 안에 케미
Supervision 눈을 떠
닿지 못할 곳에 높이 쏘는
Razzi shot, I'm the target, ya
(Ah-ah) Cherry, spitting fire for fun
Ain't ordinary 모든 게 돌아간다
닿지 못할 곳에 쏘는
Razzi shot, I'm the target, ya
Watch me, watch me, watch me tie a cherry

[Verse 3]
Tongue could tie a cherry
Double dog dare me
Cloud nine 새로운 정점
Ain't nobody gonna stop me
Good luck 내 뒤
내 spotlight에 반해
혼자가 아니라 알지
봤잖아 여기 높이
I've been flying with these unlimited seats
I hit that pose, you know that's me
Ones and O's and ones and O's
My money grow, I plant that tree
I keep my goals in mind
계획에 맞춰진 나의 움직임
Let me show you how to be the queen
[Chorus]
I can tie a cherry
Look, I got a gold tongue
몸 안에 케미
Supervision 눈을 떠
닿지 못할 곳에 높이 쏘는
Razzi shot, I'm the target, ya
(Ah-ah) Cherry, spitting fire for fun
Ain't ordinary 모든 게 돌아간다
닿지 못할 곳에 쏘는
Razzi shot, I'm the target, ya
Watch me, watch me, watch me tie a cherry

[Outro]
Cherry, cherry, cherry tie tongue
(Ah-ah) Cherry, uh, cherry, cherry tie tongue
(Ah-ah)

YouTube: https://www.youtube.com/playlist?list=PLZ6PObYieC2So0KeINn6MV4lozN9KHa1t'

Spotify: https://open.spotify.com/playlist/73dvudEHogSIG1gLaoHFfb?si=e203894f0fd443fd

1. "Criminal (feat. Lil Baby)" - 4:34
Written by David Andrew Sitek, Lil Baby & Miguel
Produced by David Andrew

Audio & Lyrics:

2. "Pineapple Skies" - 4:41
Written by Miguel, Salaam Remi, Detail, Sidney Swift, Marvin Gaye, Eyal Federman, David Ritz & Odell Brown
Produced by Detail, Sidney Swift & Salaam Remi

Audio & Lyrics:

3. "Sky Walker (feat. Jack Harlow)" - 4:19
Written by Miguel, Jack Harlow, Rogét Chahayed & Happy Perez
Produced by Rogét Chahayed, Miguel & Happy Perez

Audio & Lyrics:

4. "CPR" - 3:16
Written by Miguel, Fred Warmsley III
Produced by Fred Warmsley III

Audio & Lyrics:

5. "Wolf" - 3:29
Written by Miguel, Raphael Saadiq & Sir Dylan
Produced by Raphael Saadiq & Sir Dylan

Audio & Lyrics:

6. "Gentleman" - 4:44
Written by STINT, Teddy Walton & Miguel
Produced by Aaron Bow, STINT & Teddy Walton

Audio & Lyrics:

7. "Told You So" - 3:10
Written by Miguel, Jeff Bhasker & Happy Perez
Produced by Miguel, Jeff Bhasker & Happy Perez

Audio & Lyrics:

8. “Caramelo Duro" - 3:33
Written by Steve Mostyn, Kali Uchis & Miguel
Produced by Miguel & Steve Mostyn

Audio & Lyrics:

9. "Come Through & Chill" - 4:38
Written by Salaam Remi, J Dilla & Miguel
Produced by Salaam Remi

Audio & Lyrics:

10. "Anointed" - 3:53
Written by Miguel, Bernard Grobman, Arden Altino & Jerry Duplessis
Produced by Arden Altino & Jerry Duplessis

Audio & Lyrics:

11. "These Arms" - 4:54
Written by Rob Knox, Kevin Michael, Francesco Yates, Eric Hudson, Benjamin Chang & Miguel
Produced by Eric Hudson & Rob Knox

Audio & Lyrics:

[Intro]
[Verse 1]
I am gonna show you
The world, and all that you desire
I said I, I don't wanna control you
I wanna set you free, just come with me

[Pre-Chorus]
Oh, and I know, yeah
I know you sense a pleasure in my eye
As long as you know, baby
Every pleasure you taste has its price, babe
[Chorus]
Oh, I don't wanna say I told you so, oh
But I told you so, no
I don't wanna say I told you so
But I told you so

[Verse 2]
I already know you
And your ways, and all that you desire
I said I, I don't wanna control you
I came to set you free, yeah come with me

[Pre-Chorus]
Oh, and I know, yeah
I know you sense the doublespeak on my tongue
As long as you don't forget
Where all your pleasure came from, babe

[Chorus]
Oh, I don't wanna say I told you so, no oh
But I told you so, no
I don't wanna say I told you so
But I told you so

[Bridge]
I got plans, I got plans for you
Oh, yeah
I got plans, I got plans for you
Yeah, yeah, yeah
Oh, oh
I know you sense the sentiment in my eyes
As long as you know, baby
Every pleasure you taste has its price, babe
[Chorus]
Oh, I don't wanna say I told you so, oh
But I told you so, no
I don't wanna say I told you so, oh, yeah
Around you
Oh, I don't wanna say I told you so, no
But I told you so
I don't wanna say I told you so, yeah, yeah, yeah
I told you so

The video starts with an continuous shot of a street as cars drive pass and people head to their respective locations. The road is a bit wet, cause by the rain that had just finished falling. The title of the video “Miguel - Come Through and Chill” fades in on the screen. The title fades out as the camera approaches a dimly lit lounge. The video shows Miguel and a couple friends in a section at the lounge. They’re conversing with each other and drinking when Miguel spots a familiar face by the bar. He excuses himself from the table to talk to the woman he sees at the bar. As he does so, the intro to Come Through and Chill starts playing. He greets her and then started singing the first verse to her, occasionally flirting with her and remains. After the first verse. During the pre-chorus, he brings over to the table and by the chorus they both leave with each other. By the end of the chorus the camera transitions to Miguel sitting in a restaurant when the same woman from before enters. He greets her and they both sit at a table by a window. As Miguel since the second verse and the second pre-chorus, the video transitions through multiple scenes such as them being involved in different conversations, eating their meals and being flirty with with other. As the chorus comes in, they leave the restaurant and head into an Uber. As they enter the Uber, the video transitions from the Uber to a penthouse where Miguel lays on the bed alone, the heavy and thunder outside keeping him company. He gets up from the bed and sends a text from his phone before hearing a knock at the door. He opens it and sees the same girl from before. He let’s her in before closing the door. As that happens the song ends and the video fades to black, signaling the end of the video.

The music video starts in a musty ass hotel room, and we see a shot of a woman who has just woken up on bright sunny day and she seems to be miserable as she gets out of bed. She walks to the bathroom and looks at the mirror, it’s 3x Grammy-award winner Dua Lipa. The camera focuses on her face, her hair looks like it hasn’t touched shampoo in weeks, her face smothered with old mascara, and her lips dirty with dried-up tahini (:coma:). The song then starts, and we see Dua leave the hotel room to go outdoors, wearing an oversized white shirt, grey joggers, and massive glasses covering her hungover face. Dua is looking to start her day and the camera shows her walking along a sidewalk, making direct eye-contact with whomever she passes by and almost looking bemused, until she finally reaches a gym. She gets inside and starts a routine, and we see her relentlessly working out, beating the shit out of a punching bag, and we see her dripping in sweat. Suddenly she looks behind her as if she heard someone calling her name and looks behind almost in fear but sees no one. The second verse starts and it’s a new day. We see Dua leave the same hotel room that she left earlier in the video, however this time she looks quite different. Her hair is now in a neon-pink bob, and she is wearing a lime-green butterfly corset and looks uplifted. She walks into the same gym and greets people on her way in looking way happier. While she works out, we see the similar routine, and again we see her suddenly look behind while working out as if she’s expecting someone. During the final chorus we see Dua at night glide across a sidewalk singing along to the song but with a look of relief rather than sadness at the start of the video.

[Intro]
Go on, go on
Go on, go on
Go on, go on

[Verse 1]
The daylight's fading slowly
The time with you is standing still
I'm waiting for you only
The slightest touch and I feel weak
[Pre-Chorus 1]
I cannot lie
From you, I cannot hide
I'm losing will to try
Can't hide it, can't fight it

[Chorus]
So go on, go on
Come on, leave me breathless
Tempt me, tease me
'Til I can't deny this loving feeling
Make me long for your kiss
Go on, go on
Yeah, come on

[Verse 2]
And if there's no tomorrow
And all we have is here and now
I'm happy just to have you
You're all the love I need somehow

[Pre-Chorus 2]
It's like a dream
Although I'm not asleep
I never want to wake up
Don't lose it, don't leave it

[Chorus]
So go on, go on
Come on, leave me breathless
Tempt me, tease me
'Til I can't deny this loving feeling
Make me long for your kiss
Go on, go on
Yeah, come on

[Pre-Chorus 1]
Now I can't lie
From you I cannot hide
I've lost my will to try
Can't hide it, can't fight it

[Bridge]
So go on, go on
Go on, go on
Go on, go on
Go on, go on
Go on, go on
Go on
Leave me breathless
(Breathless)

[Chorus]
So go on, go on
Come on, leave me breathless
Tempt me, tease me
Until I can't deny this loving feeling
Make me long for your kiss
Go on, go on
Yeah, come on

The video opens with a wide-angle shot of a monochromatic work office, which is styled to be from the 1970s. A neon title card in funky font reading “WEEKEND” appears on screen, with sounds of neon lights flickering. As the song’s opening beats begin to play, we zoom in on JENNIE sitting at a desk looking bored as she works. She is wearing a true-to-the 70s beige pantsuit, with fluffy Farrah Fawcett-esque hair.





When the record scratch-sounding part of the song plays, the camera shows shots of JENNIE’s coworkers suddenly freezing up as if they have been paused. The shot returns to JENNIE as she starts singing the lyrics to herself while working. JENNIE looks out of her cubicle to see the entire office is as still as a statue. She gets out of the cubicle and roams the corridor passing by her now immobile colleagues. Realizing she is the only one able to move, she decides to run around having fun as the chorus plays.

떠나볼래 when the weekend comes
I can do whatever I want


During the third verse, JENNIE is still roaming the office having fun. There are shots of her eating leftover birthday cake from the breakroom refrigerator, making funny photocopies using the scanner, and spinning around in the office chair.

더는 no, no stress 고민 안 할래
Move it right, left, right, 내 맘대로



The chorus comes again, and now JENNIE is dancing on top of her boss' desk.



Jumping off the desk in time for the bridge, JENNIE arrives at the storage closet. There she spots a can of pink paint and the camera flips back and forth between shots of the paint and shots of her smiling at it.

우연히 찾아낸 secret place (Oh woah, woah, woah)

JENNIE grabs the paint can and a brush and then runs back to the main office. She begins painting the walls bright pink and giggling while doing it. She sings the final chorus as this happens.



As the song’s outro plays its last seconds, suddenly JENNIE’s coworkers unfreeze and look around at the mess JENNIE made. They spot JENNIE, who now has pink paint all over her outfit, in the corner giggling.

[Intro]
[Verse 1]
I saw you looking for the side door
You didn't want to stick around for
The rest of the night
I guess that's alright
They all left when you walked home
It makes sense that they all know
It was only for you
If only you knew

[Pre-Chorus]
What good is love
Without any strings?
Held it above
Stuck in between
Tell me for once
What that even means
I wanna know you
But can't make it right

[Chorus]
There's something on my mind
There's something that I
(Wish I would've told you, but you just don't seem)
(To wonder what I'm doing when you're close to me)
Oh yeah
There's somеthing on my chest
I wish I would've said
(I think it over and it might bе true)
(I'm only overthinking when I'm close to you)

[Verse 2]
We locked eyes from a distance
So close, but I missed it
Now you're walking away
When I wish you would stay
I get stuck in a conversation
A different night, same situation
I beat myself up
For not speaking up

[Pre-Chorus]
Every night I can't make it right, yeah

[Chorus]
There's something on my mind
There's something that I
(Wish I would've told you, but you just don't seem)
(To wonder what I'm doing when you're close to me)
Oh yeah
There's something on my chest
I wish I would've said
(I think it over and it might be true)
(I'm only overthinking when I'm close to you)

[Outro]
Only overthinking when I'm close to you
I'm only overthinking when I'm close to you
I'm only overthinking when I'm close to you, oh yeah
I'm only overthinking when I'm close to you
I'm only overthinking when I'm close to you
I'm only overthinking when I'm close to you, oh yeah

Quiere ser dueño de todo (uh)
No me deja en paz con ese cabrón
Lo nuestro es cabrón (pop that, pop that)
Uno para el otro y borracho' los dos (uh)
Si quieres conmigo, pierde ese control
Ese control (pop that, pop that)
Bitch, this Tamagotchi
Tour bus through Milwaukee
Bitch, I'm making bread (bread)
Sound like Pavarotti (pop that, pop that)
Bitch, my vaseline (seline)
You can't get it off me (off me)
Bitch, this not my scene (scene)
Vamos pa' Miami (pa' Miami) (pop that, pop that)
Feel on my waistline
I'm in L.A, four hours away, just hit me on facetime (facetime)
Feeling so good (feeling so good) singing a bass line (bass line)
Your body is on me, you touching up on me
We come at the same time (same time)
At the same time
You with somebody, or are you cool?
I want your body, you want me too (pop that, pop that)
I see you coming, I come for you
Need you around me, I know you do
Ando de gira y todos me siguen, los chicos me quieren tocar (wooh)
Tengo dinero y ando soltero, dime lo que quiere' comprar (pop that, pop that)
Aquí está muy frío, no' vamos, te sigo, ¿dónde quieres ir a volar?
Algo sencillo, con un cigarrillo me dice que quiere follar (pop that, pop that)
Bitch, this Tamagotchi
Tour bus through Milwaukee
Bitch, I'm making bread (bread)
Sound like Pavarotti (pop that, pop that)
Bitch, my vaseline (seline)
You can't get it off me (off me)
Bitch, this not my scene (scene)
Vamos pa' Miami (pa' Miami) (pop that, pop that)
Feel on my waistline
I'm in L.A, four hours away, just hit me on facetime (facetime)
Feeling so good (feeling so good) singing a bass line (bass line)
Your body is on me, you touching up on me
We come at the same time (same time)
At the same time
You with somebody, or are you cool?
I want your body, you want me too (pop that, pop that)
I see you coming, I come for you
Need you around me, I know you do
This is what you want, I'm sure
I ain't tryna front, no more (pop that, pop that, don't stop)
Ain't seen you in months, or more
You're all that I want, for sure (pop that, pop that)
This is what you want, I'm sure
I ain't tryna front, no more (tired of being alone, tired of being alone)
Ain't seen you in months, or more
You're all that I want, for sure (pop that, pop that, don't stop)
Bitch, this Tamagotchi
Tour bus through Milwaukee
Bitch, I'm making bread (bread)
Sound like Pavarotti
Bitch, my bag Céline (Céline)
You can't get it off me (off me)
Bitch, this not my scene (scene)
Vamos pa' Miami (Miami)

[Verse 1]
Rebekah rode up on the afternoon train, it was sunny
Her saltbox house on the coast took her mind off St. Louis
Bill was the heir to the Standard Oil name and money
And the town said, "How did a middle-class divorcée do it?"
The wedding was charming, if a little gauche
There's only so far new money goes
They picked out a home and called it "Holiday House"
Their parties were tasteful, if a little loud
The doctor had told him to settle down
It must have been her fault his heart gave out

[Chorus]
And they said
"There goes the last great American dynasty
Who knows, if she never showed up, what could've been
There goes the maddest woman this town has ever seen
She had a marvelous time ruining everything"

[Verse 2]
Rebekah gave up on the Rhode Island set forever
Flew in all her Bitch Pack friends from the city
Filled the pool with champagne and swam with the big names
And blew through the money on the boys and the ballet
And losing on card game bets with Dalí

[Chorus]
And they said
"There goes the last great American dynasty
Who knows, if she never showed up, what could've been
There goes the most shameless woman this town has ever seen
She had a marvelous time ruining everything"

[Bridge]
They say she was seen on occasion
Pacing the rocks, staring out at the midnight sea
And in a feud with her neighbor
She stole his dog and dyed it key lime green
Fifty years is a long time
Holiday House sat quietly on that beach
Free of women with madness, their men and bad habits
And then it was bought by me

[Chorus]
Who knows, if I never showed up, what could've been
There goes the loudest woman this town has ever seen
I had a marvelous time ruining everything

[Outro]
I had a marvelous time ruining everything
A marvelous time ruining everything
A marvelous time
I had a marvelous time

1. the 1 🅴
2. Track 2
3. Track 3 🅴
4. Track 4 🅴
5. the last great american dynasty 🅴
6. Track 6
7. Track 7
8. Track 8
9. Track 9
10. Track 10
11. Track 11
12. Track 12
13. Track 13
14. Track 14 🅴
15. Track 15 🅴
16. Track 16

[Intro]
[Intro: Christina Aguilera]
Yeah

[Coro: Christina Aguilera]
¿Quieres besarme, baby? Bésame
¿Quieres tocarme, baby? Tócame
Pero esto solo dura hasta el amanecer
Si quiere' que vuelva, baby, suéltame
[Post-Coro: Christina Aguilera]
Suéltame, sué-sué-sué-suéltame
Si quiere' que vuelva, baby, suéltame
Suéltame, sué-sué-sué-suéltame
Si quiere' que vuelva, ven y—

[Verso 1: Christina Aguilera & Hailee Steinfeld]
Él ya no duerme de noche, tampoco de día
Estar sin mí le está jodiendo la vida
No digas quе me amas, eso son tonterías
Yo no soy tuya todavía
Siеmpre, siempre tú 'tá llamándome (Oh-oh)
Siempre me busca' cuando no te puedo ver (Oh, na-na)
Siempre, siempre tú escribiéndome (Eh-eh)
No has olvidado lo que hicimo' la otra ve' (Eh-eh-eh; TINI, TINI, TINI)

[Coro: Hailee Steinfeld]
Mmm, ¿quieres besarme, baby? Bésame
¿Quieres tocarme, baby? Tócame, eh
Pero esto solo dura hasta el amanecer
Si quiere' que vuelva, baby, suéltame

[Post-Coro: Hailee Steinfeld]
Suéltame, sué-sué-sué-suéltame
Si quiere' que vuelva, baby, suéltame
Suéltame, sué-sué-sué-suéltame
Si quiere' que vuelva
[Puente: Christina Aguilera]
No me llame', no me—, mmm
Que yo bailo solita
No me busque', no me—, mmm
Que yo bailo solita
Sorry si yo tengo todo lo que tú necesitas
No me importa si te jodes, que yo bailo solita

[Verso 2: Hailee Steinfeld & Christina Aguilera]
Baby (Ah-ah), no confundas besos con amor, no, yeah
Bailando sola, sola estoy mejor, eh, yeah
Ven, que esta noche es pa' otra cosa y me siento peligrosa
Ten cuida'o, que yo me enciendo si me roza'
Luego exploto como alcohol con gasolina
Está divina, na-na-na
Toa' las prenda' combinan
Flow asesina, uh-na-na-na
Tú estás jugando con fuego
Suéltame y yo me pego
Estamo' lowkey con Christina y la argentina, na-na-na
TINI (Ey, yeah)

[Coro: Christina Aguilera, Hailee Steinfeld]
¿Quieres besarme, baby? Bésame (Eh-eh-eh)
¿Quieres tocarme, baby? Tócame
Pero esto solo dura hasta el amanecer
Si quiere' que vuelva, baby, suéltame
[Post-Coro: Christina Aguilera]
Suéltame, sué-sué-sué-suéltame (Suéltame)
Si quiere' que vuelva, baby, suéltame (Suéltame)
Suéltame, sué-sué-sué-suéltame
Si quiere' que vuelva, baby, suéltame

[Outro: Christina Aguilera]
Si quiere' que vuelva, baby, suéltame (Uh-uh-uh-uh-uh-uh)
(Para de llamarme ya, papi, ja)
Si quiere' que vuelva, baby, suéltame
Si quiere' besarme, baby, bésame
Si quiere' que vuelva, baby (Uh-uh-uh-uh-uh-uh)
No-oh-oh

Spotify: https://open.spotify.com/playlist/1b0oBhZnABfbKjhVPZVo3K?si=8096de0a2b694101

YouTube: https://www.youtube.com/playlist?list=PLSbF0YHUvp50cYmRdxCgNKcGIqeDoMReY

1. "Fast Times" - 2:55
Written by Julia Michaels, JP Saxe, John Ryan & Madison Beer
Produced by John Ryan

Audio & Lyrics:

2. "Baby" - 3:29
Written by Kinetics, Big Taste, One Love, Lowell & Madison Beer
Produced by Madison Beer, One Love & Big Taste

Audio & Lyrics:

3. "Don't Say It" - 2:50
Written by FLETCHER, Caroline Pennell & Malay
Produced by Malay

Audio & Lyrics:

4. "Follow The White Rabbit" - 3:01
Written by Madison Beer, RAYE & Big Taste
Produced by Madison Beer & Big Taste

Audio & Lyrics:

5. "XS (with CL)" - 3:22
Written by Kyle Shearer, Chris Lyon, Nate Campany, Madison Beer & CL
Produced by Chris Lyon, Clarence Clarity & Kyle Shearer

Audio & Lyrics:

6. "Stained Glass" - 3:29
Written by Kinetics, Big Taste, One Love & Madison Beer
Produced by Madison Beer, One Love & Big Taste

Audio & Lyrics:

7. "Interlude" - 1:51
Written by Madison Beer, Lowell & Big Taste
Produced by Madison Beer & Big Taste

Audio & Lyrics:

8. "Boyshit" - 2:41
Written by Jake Banfield, UPSAHL, Pete Nappi, Madison Beer & Big Taste
Produced by Bart Schoudel, Pete Nappi & Big Taste

Audio & Lyrics:

9. "Why Do You Love Me?" - 2:53
Written by Alan Gordon, Louis Bell, Ryan Tedder, Ali Tamposi, Garry Bonner, watt, Charlie Puth & Madison Beer
Produced by watt, Charlie Puth & Louis Bell

Audio & Lyrics:

10. "Bitches These Days (with Addison Rae)" - 2:23
Written by Jussifer, Tia Scola, Ryan McMahon, Mia Kurchner, Madison Beer & Addison Rae
Produced by Jussifer & Ryan McMahon

Audio & Lyrics:

11. "Reckless" - 3:24
Written by One Love, Big Taste, Kinetics & Madison Beer
Produced by Madison Beer, One Love & Big Taste

Audio & Lyrics:

12. "Stay Numb & Carry On" - 2:45
Written by Madison Beer, Kinetics, Big Taste & One Love
Produced by Madison Beer, Big Taste & One Love

Audio & Lyrics:

13. "Stole My Man" - 2:58
Written by Chelsea Balan, Brandon Meagher & Madison Beer
Produced by Brandon Meagher

Audio & Lyrics:

14. "Sour Times" - 2:47
Written by Madison Beer, Lowell, Big Taste, Kinetics & One Love
Produced by Madison Beer & Big Taste

Audio & Lyrics:

1. Track 1
2. Track 2
3. Track 3
4. Track 4
5. BIZCOCHITO
6. DIABLO
7. Track 7
8. Track 8
9. Track 9
10. Track 10
11. Track 11
12. Track 12
13. Track 13
14. DESPECHÁ
15. Track 15
16. Track 16.
17. Track 17
18. Track 18
19. Track 19
20. Track 20

[Intro]
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it

[Verse 1]
I think I'm in love, you're like my twin flame
You and I, we're perfectly aligned, it drives me insane
That he gets to call you mine
When he don't get your brain like I do



[Pre-Chorus]
Yeah, it's like ecstasy
When you're next to me
Think that you should leave him
And stay with mе

[Chorus]
I like a girl that's got a boyfriend
Can't seem to get hеr out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it

[Verse 2]
What about the things you said that he does?
And how every day with him is like some fight club
We had an instant connection when it took you two months
Yeah, we had more fun

[Pre-Chorus]
Yeah, it's like ecstasy
When you're next to me
Think that you should leave him
And stay with me


[Chorus]
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it

[Bridge]
You seem lonely and it's so damn cruel
'Cause you're so back and forth like you're striking a chord
And you're leading me on when you know that it's wrong
In denial, everybody sees it but you

[Chorus]
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it
I like a girl that's got a boyfriend
Can't seem to get her out of my head
And she knows it should be me in her bed
Yeah, she knows it, she knows it, she knows it


[Outro]
She knows it, she knows it, she knows it

Disc 1: Throwdown
1. Jaguar
2. Up At Night (ft. Miguel)
3. Save Room For Us
4. Coastin'
5. Make Me Feel
6. Experience (ft. Jacob Collier)

Disc 2: Cooldown
7. Moment
8. Dive
9. Ass Like That
10. Go There With You
11. Midnight (ft. Lil Baby)
12. Touch Me

1. track 1
2. track 2
3. track 3
4. track 4
5. track 5
6. track 6
7. track 7
8. track 8
9. track 9
10. track 10
11. track 11
12. track 12
13. track 13
14. daylight (bonus track)
15. close to you (bonus track)