CAL: Releases

[Intro]
Yeah

[Chorus]
Mmh, ayy
Big stepper like Big Meech, mhm
I was taught to go and get it straight up out the mud, lil' nigga, ayy
Murder, murder, murder, keep my slugs, my nigga, ayy
I was taught to never show no love, my nigga
Pop a Xanax, I ain't never had no feelings
What I got planned next? Gotta put the stars in the ceiling
Slidin' down Fairfax, nigga, I was plottin' on a million
I want a billion, nigga, so that's on God, I ain't chillin'

[Verse 1]
Yeah, hah, Perky, Perky, dirty soda, ayy
Only talk bags on the Motorola, ayy
Push the Hellcat like an old Corolla, ayy
I'ma let these racks talk for me, nigga
Bitch, and I ride with the shooters, ayy
Made my cousin a killer, uh
And at fifteen, I was neighborhood drug dealer
I'm so cold hearted, I can't show no love, nigga
But I fuck that bitch to PARTYNEXTDOOR, "Persian Rugs," nigga, uh
Bought a brand new AP, it was fifty thousand total
It felt like the Flu Game when I sold out the Novo
I had to finesse and get the bag, I had mad dough though
If he ain't tryna go get the safe, I get it crackin' solo

[Chorus]
Mmh, ayy
Big stepper like Big Meech, mhm
I was taught to go and get it straight up out the mud, lil' nigga, ayy
Murder, murder, murder, keep my slugs, my nigga, ayy
I was taught to never show no love, my nigga
Pop a Xanax, I ain't never had no feelings
What I got planned next? Gotta put the stars in the ceiling
Slidin' down Fairfax, nigga, I was plottin' on a million
I want a billion, nigga, so that's on God, I ain't chillin'

[Verse 2]
Bird Vision, Bandcamp
Had a bad bitch put a hundred thousand in her spandex
That hundred that made me a million, I got it laminated
Can't fuck with none of these broke niggas, they contaminated
Thank God for all of these blue faces, I barely done made it
Made forty thousand on New Years, took a private to Vegas
I been on promethazine so long, when I'm slidin', I'm faded
I been tryna get a crib so long, now I got it, it's gated
I been touchin' all these millions, I know they gon' hate it
My chef cook up filet mignon, got sauce and then ate it
Nigga, I been ballin' every season like Kobe with eight, yeah
All these niggas gon' hate
I stayed down and got rich
Now I'm fuckin' on his lil' bae

[Chorus]
Mmh, ayy
Big stepper like Big Meech, mhm
I was taught to go and get it straight up out the mud, lil' nigga, ayy
Murder, murder, murder, keep my slugs, my nigga, ayy
I was taught to never show no love, my nigga
Pop a Xanax, I ain't never had no feelings
What I got planned next? Gotta put the stars in the ceiling
Slidin' down Fairfax, nigga, I was plottin' on a million
I want a billion, nigga, so that's on God, I ain't chillin'

[Verse 1]
I’ve cussed on a Sunday
I’ve cheated and I’ve lied
I’ve fallen down from grace
A few too many times
But I find holy redemption
When I put this car in drive
Roll the windows down and turn up the dial

[Chorus]
Can I get a hallelujah?
Can I get an amen?
Feels like the Holy Ghost running through ya
When I play the highway FM
I find my soul revival
Singin' every single verse
Yeah, I guess that’s my church

[Verse 2]
When Hank brings the sermon
And Cash leads the choir
It gets my cold, cold heart burnin'
Hotter than a ring of fire
When this wonderful world gets heavy
And I need to find my escape
I just keep the wheels rolling, radio scrolling
Until my sins wash away

[Chorus]
Can I get a hallelujah?
Can I get an amen?
Feels like the Holy Ghost running through ya
When I play the highway FM
I find my soul revival
Singin' every single verse
Yeah, I guess that’s my church

[Chorus]
Can I get a hallelujah?
Can I get an amen?
Feels like the Holy Ghost running through ya
When I play the highway FM
I find my soul revival
Singin' every single verse
Yeah, I guess that’s my church

[Chorus]
Can I get a hallelujah?
Can I get an amen?
Feels like the Holy Ghost running through ya
When I play the highway FM
I find my soul revival
Singin' every single verse
Yeah, I guess that’s my church
Yeah, I guess that’s my church
Yeah, I guess that’s my church

The music video starts off on a summer's sundown over an amusement park. Zara goes with her girls to forget about her ex to thrive into the summer. As she starts to go into a ride that spins you around with a partner. Zara goes in by herself and enjoys her time. In the midst of the enjoyment, she sees her partner appear beside her and blanks for a moment. The video cuts to Zara appearing in front of a mirror while doing her hair and make-up. She adds a ton of pink eye-shadow onto her eyes and dresses up in a pink aesthetic. Her long blond pigtails are dyed pink midway & start to dance in front of the mirror. Zara & her friends are now in line to the roller coaster where once again she sees her ex going into the roller coaster. She blanks once again but then realizes it's normal to feel this way after a break-up and instead acknowledges that this is happening. Going onto the roller coaster the chorus pops in and captures the happiness of the moment. Zara is now in a room full of mirrors that takes up most of the bridge scene In a jewel-encrusted bodysuit. Gold and white balloons are throughout the floor while the lights start flashing whenever Zara moves. She comes to a stage with a rock/punk look. She is with her girls and goes off to finish their time in the amusement park. While in one of the rides she has a partner who comes in and turns out to be her ex. They both look at each other and try to laugh it off, but the ex tries to come in for a kiss, while Zara bitch slaps him straight in the face when he comes too close. The video ends off with the ride starting its course.

The music video starts off with Reece King hanging from the ceiling on puppet strings. Reece has on a hardened suit on as the video emphasises the strings above him. As the camera zoom's out, it seems to be an ode to NSYNC's Bye Bye Bye music video. The zoomed out angle also exposes the box he's in, as someone else controls him.


The person who's controlling him is a random label exec, who's flying him from side to side in a box. The lady is keeping him wrapped around her finger secure, so Reece can't get away.

The lady label executive says, "You're staying here until we get money from you!!!!!" as she screams, Reece tries to find a way to escape from this crazy exec. Reece's starts to get frustrated and unmotivated as he attempts to escape.


Reece keeps trying again to escape when he finds a sharp object in the box he's flying in. It's a sharp piece from his 7x platinum European plaque from "in a dream". Reece uses the sharp object from the plaque to cut the strings.


Reece successfully escapes as he runs from the box he was trapped in. A cut scene then shows Reece and other trapped music artists performing hard choreo, in a blue boxed room as the chorus of try again hits. The ode to NSYNC continues as Reece hits the high note in try again's chorus.


The cut scene cuts back to Reece running from the exec. King finds an enclosed alley to hide in as the woman exec continues to search for him. The woman gets increasingly upset as the search for Reece continues on.



The woman then turns into a beast as Reece then hears a loud growl. Reece looks around the corner and looks at the large meat who was just the woman label exec. Reece gets horrified and starts running even more.



Reece finds the largest thing he can hide in: an ocean. Reece was running for 12 hours until he found the Austrian Sea, in his home country of Austria. Reece jumps in the sea and begins swimming, and starts to smile. He has escaped the large label exec beast.




Reece then hears loud crying and screaming as he escapes into the currents. The monster has a complete meltdown as Reece swims away. "NOOOOOO!!!! I WANT YOUR MONEY LABEL PUPPET!!!!" the Monster screams. The monster starts to blow up as the emotion is just too much.



As Reece swims away, the ending chorus of try again plays. Reece smiles and starts to swim towards the sunset again. A cutscene of the tribute to NSYNC starts after that, of NSYNC's Justin Timberlake smiling as well. Bye Bye Bye indeed!

Hey, you, get off my cloud
You don't know me, and you don't know my style
Gettin' lifted, never coming down
Gettin' lifted
Gettin' dumb on the drum rum-pum-pum-pum-pum
Better run, when I come, what a bomb bomb
Sippin' on coke and rum, gettin' so drunk
Everyone wonderin' where she come from?
Got gold on my necklace, gold on my wrists
Girls gettin' mad cause their boys want a kiss
Fast with the cash, I just throw it in the bag
Everything I wanna have (well I think you get the gist)
Upside downside, inside outside
Hittin' you from every angle there's no doubt
Poetry in motion, coast to coast and
Rub it in your skin like lotion
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes, I'm about to go get lifted
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes, I'm about to go get lifted, yeah
H-U-F-F, huff and I puff
Blow like snow when the cold wind's blowing
Zoom, I hit the mic like boom
Wrote a song about it, like to hear it? Here it goes
Style will hit you, wham, then goddamn
You'll be like, "Oh shit, that's the jam!"
Turn it up, now hear me get buck wild
I'm about to blow, light me up
Upside downside, inside outside
Hittin' you from every angle there's no doubt
Poetry in motion, coast to coast and
Rub in it your skin like lotion
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes I'm about to go get lifted
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes I'm about to go get lifted, yeah
Hey, you, get off my cloud
You don't know me, and you don't know my style
Gettin' lifted, never coming down
Gettin' lifted, never coming down
Hey, you, get off my cloud
You don't know me, and you don't know my style
Gettin' lifted, never coming down
Gettin' lifted
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes I'm about to go get lifted
I got myself a 40
I got myself a shorty
And I'm about to go get lifted
Yes I'm about to go get lifted, yeah

The music video starts off with a sky shot of new york and cuts into an apartment as it zooms into the window you can see CL dancing wearing a two-piece and a huge fluffy coat and a cigarette in her hands the song is played through a radio and is muffled, as soon as she ducks down to start singing to the camera the song starts playing

you then see shots of CL walking on the streets of new york with 2 guys dancing and having fun

during the chorus, she enters a basketball court and dances with a bunch of friends

the second verse starts and the shot transitions into a shot of CL wearing a black shirt, with a ponytail style walking through an apartment of people smoking weed and getting high

and during the same shot she leaves the house and goes near a car mechanic shop that's right by the building, a mysterious man in a red shirt is looking at the car and then looks up at the camera and it's revealed that its Method Man a member from the Wu-Tang clan, since the song samples Wu-Tang clan's "Method Man" CL decided to put him in the video as a thank you

during the second chorus, CL is on a brick wall wearing a huge yellow coat, while 2 guys jump and run on the wall

during the bridge the shot is set in the afternoon in front of the Brooklyn bridge, CL dances with two guys in a very provocative way a side that no one has ever seen from her

during the final chorus the shot continuously changes to the past scenes and during the end you see CL standing on a moving cloud with other people around her on their own clouds over a beautiful shot of New York, the clouds are a metaphor for being on your own wavelength and having fun with yourself

the video fades out with a shot of CL zooming across the skies of new york.  

Todo lo que dije
No me importa cuándo
Me miras con esa maldad
¿No ves que a mí no me asusta?
Puedo ser injusta
Si vos me venís a buscar
Sabés que no
Me someteré a la tentación
Nadie más hace que yo
Sienta esta química, tensión sexual
En la disco quiero tu mordisco, oh yes
Gateando en la disco, oh yes
Dame en la disco, oh yes
Dame en la disco, oh yes
To the floor
Tan nasty que eres fanático
Bailando en la pista sudando alcohol
Me estás perreando el corazón
Bailamos que parece un delito
Juntos nos podríamos condenar
Cometamos una tragedia
Y si nos atrapan, para escapar
Tenemos la excusa perfecta
A esta vida de crimen yo me someto
Es un tatuaje en mí, te lo prometo
Si esto es condena, hagámoslo en secreto
Raspemos las rodillas en el cemento
En la disco quiero tu mordisco, oh yes
Gateando en la disco, oh yes
Dame en la disco, oh yes
Dame en la disco, oh yes
To the floor
Tan nasty que eres fanático
Bailando en la pista sudando alcohol
Me estas perreando el corazón
Bailamos que parece un delito
Juntos nos podríamos condenar
Cometamos una tragedia
Y si nos atrapan, para escapar
Tenemos la excusa perfecta
Sí, soy presa de esta mala decisión
Con la navaja al corazón
No puedo ya más curarlo
Somos una asesinato a la razón
Yo me quedaré hasta que vos
No puedas ya más soltarme, yeh
En la disco quiero tu mordisco, oh yes
Gateando en la disco, oh yes
Dame en la disco, oh yes
Dame en la disco, oh yes
To the floor
Tan nasty que eres fanático
Bailando en la pista sudando alcohol
Me estás perreando el corazón
Bailamos que parece un delito
Todo lo que dije, todo lo que dije
To- todo lo que dije, todo lo, todo lo
Todo lo que dije, todo lo que dije
To-todo lo que dije, todo lo, todo lo
Bailamos que parece un delito
Bailamos que parece un delito
Bailamos que parece un delito
Bailamos que bailamos que
Bailamos que parece un delito
Bailamos, bailamos, bailamos, bai
Bailamos que parece un delito
Bailamos, bailamos, bailamos, ba
ENGLISH LYIRCS:
[Intro]
Everything I said, eh-eh-eh-eh

[Verse 1]
Everything I said, I don't care
When they look at me meanly
Don't you see that doesn't scare me? I can be unfair
If you come to pick me, you know I will not
Submite to the tempation
Nobody but you do that I
Feel this chemistry, sexual tension

[Pre-Chorus]
At the disco I want your bite, oh yes
Crawling at the disco, oh yes, sir
Give it to me at the disco, oh yes
Give it to me at the disco, oh yes, sir

[Chorus]
The floor so nasty that you are a fan
Dancing in the club, sweating alcohol
My heart is twerking
We dance and it seems like a crime
Together we could condemn each other
Let's make a tragedy
And if we get caught
We got the perfect excuse to scape


[Verse 2]
I submit to this crime life
It's a tattoo in me, I promise you
If this is a condemn, let's do it secretly
Let's scrape our knees on the cement

[Pre-Chorus]
At the disco I want your bite, oh yes
Crawling at the disco, on yes, sir
Give it to me at the disco, oh yes
Give it to me at the disco, oh yes, sir

[Chorus]
The floor so nasty that you are a fan
Dancing in the club, sweating alcohol
My heart is twerking
We dance and it seems like a crime
Together we could condemn each other (Oh-oh-oh, oh-oh)
Let's make a tragedy (Oh-oh-oh, oh-oh)
And if we get caught (Oh-oh-oh, oh-oh)
We got the perfect excuse to scape

[Bridge]
If I am prisoner of this bad decision
With the knife in my heart
I can't heal it anymore by now
We are a murder to the reason (Oh-oh)
I will stay until you
Can't you let go of me anymore, yeah-eh-eh, oh (Oh-oh)


[Pre-Chorus]
At the disco I want your bite, oh yes
Crawling at the disco, on yes, sir
Give it to me at the disco, oh yes
Give it to me at the disco, oh yes, sir

[Chorus]
The floor so nasty that you are a fan
Dancing in the club, sweating alcohol
My heart is twerking
We dance and it seems like a crime

[Outro]
Everything I said, Everything I said
Eve-everything I said, everything I—everything I—
Everything I said, Everything I said
Eve-everything I said, everything I—everything I—
We dance and it seems like a crime
We dance and it seems like a crime
We dance and it seems like a crime

[Verse 1]
Someday, I'm gonna live
In your house up on the hill
And when your skinhead neighbor goes missing

I'll plant a garden in the yard, then
They're gluing roses on a flatbed

You should see it, I mean thousands
I grew up here, 'til it all went up in flames
Except the notches in the door frame

[Chorus]
I don't know when you got taller
See our reflection in the water

Off a bridge at the Huntington
I hopped the fence when I was seventeen

Then I knew what I wanted

[Verse 2]
And when I grow up, I'm gonna look up

From my phone and see my life
And it's gonna be just like my recurring dream

I'm at the movies, I don't remember what I'm seeing

The screen turns into a tidal wave
Then it's a dorm room, like a hedge maze
And when I find you

You touch my leg, and I insist

But I wake up before we do it

[Chorus]
I don't know how, but I'm taller
It must be something in the water
Everything's growing in our garden
You don't have to know that it's haunted
The doctor put her hands over my liver
She told me my resentment's getting smaller
No, I'm not afraid of hard work
I get everything I want
I have everything I wanted

The official music video for "Over Those Hills" starts with a shot of a hill view. The camera captures the beautiful nature of somewhere in America. The sound of the wind can be heard as the camera randomly shows quick shots of flowers around the hills meanwhile the texts "Over Those Hills" & "by Hayley Williams" pops up on screen on each quick shot. As the camera focuses on one of the hills, it starts zooming into it. As it zooms in, you can hear the instrumental starting to kick in. Hayley becomes visible at this point who's looking around for a while then looking towards the camera. She starts mouthing the words of the first verse right after. The viewers can see her having the same hairstyle and wearing the same dress that she has on the official single's artwork. As the instrumental break plays, the video gets shown in "disposable camera effect" starting from that moment till the end. The camera shows Hayley walking around the hill, looking sad while searching for something. She takes a break, decides to lay on the ground while being surrounded by flowers. The wind blows at this point once again as she mouths the words of the second verse. She tries to hold the flowers to make herself happy but as soon as she touches them, the weather gets dark and it starts raining. Rain doesn't make the flowers grow either, she sees that the flowers are bound to die no matter what she does. As she looks at the flowers dying, she sings the third verse. She feels hurt at first but then pretends like she's all used to going through bad things like this. She realizes that she needs to let go and move on from whatever that happened. The flowers become black and the rain gets stronger. Wind takes over again and the flowers start flying around as she starts running. All of this happen during the "guitar break" part. The rain gets even stronger she loses her sight, it becomes impossible for her to see where she's going. Somehow she ends up slipping and lands on her feet. The rain slowly stops, weather becomes warmer and now her vision is clear. The camera shows from a far that she ends up on a huge cliff that has a sea under it. The song ends at this part but the video continues for a while. She looks so messed up after that hurricane so she's trying to fix her look as she gets closer to the end of the cliff. As she looks down she sees a dead body (her ex) laying on the sea moving along with the waves. The body is covered with those flowers that died around Hayley. The final shot of the music video is the dead body getting far away from Hayley with the credits running on screen.

The intro starts off showing the front of Magic City Atlanta, which is an ultra popular strip club in Atlanta, Georgia. People of ATL are going into a packed house which is regular for a friday night.



The next scene shows people having a good time before the real festivities gets started (Blac Chyna randomly is seen being a faggot), then the famous strippers of Magic City are shown shaking some ass on the poles.



The stage is lit purple with some dark ombres surrounding the center. The poles on the stage are also very huge in size as the Magic City workers rake in dollar after dollar.



Then the next scene cuts to the stage, where a lady comes out to announce a special surprise performance for the guests of Magic City Atlanta. The crowd then is excited for who will come out.



A sudden jump happens as the crowd gasps when Keke Palmer jumps on the stage. Palmer jumps on stage similar to Michelle Williams' jump at Beyonce's Superbowl Set. The crowd begins to scream as the Bossy instrumental starts.



"I know y'all know this one!" Keke yells as the strippers who were just working the poll begins to surround her. Keke is wearing a black fishnet bra set with seethrough pants. Along with that, some silver glitter stilettos.



Keke begins to dance as the strippers follow her move. As the lyrics of Bossy arrive, Keke sings as she hits choreo to the song. Keke's interaction with the crowd is spectacular at this point, as the crowd is loud as its ever been. Keke begins to swing on the pole as money files on her.



Bosses from every entertainment center is at the strip club, including Jonny Braun from Virgin Records!



Keke continues to hit choreo to Bossy as the song as the last chorus hits. Keke does a death drop to end Bossy, which the crowd largely gasps as they thought Keke hit her head hard. Keke got up strong afterwards, then the crowd roared.

The music video starts up with different close-up shots of the "La Noche De Anoche" club located in Puerto Rico. Katy appears inside the club wandering around for her friends that came in before her. After a few cocktails, Katy sees Daddy Yankee on the dance floor waiting for himself to be her full attention. She gets the confidence to stand up and walk up to him. They begin to dance and as they continue it gets more seductive. As the chorus comes in the scene changes into the 90s. With their respective 90s attire they are continuing to dance. Out of nowhere, Katy takes out some rapid-fire guns and starts shooting. DY recedes back and what seems to be a look of shock and distraught is actually a look of happiness. DY also takes out his weapons and starts shooting both knowing to not shoot each other. The scene goes back to a few minutes before when Katy and her friends were arriving at the club. Katy easily seduces the bouncer and lets them all in. The bouncer wanted more of her attention but she knew in advance and ignited a fight seconds before getting to the front, which she pushed the bouncer behind her and he left his post to disarm the fight. With the chorus, we go back to the 90s and Katy is loving the sight of DY keeping hostages on the floor. She gives him the signal and starts shooting the hostages; the hostages being killed were not shown, just the camera directly looking at Katy while she fires her weapon all hysterically. They continue to tear down the club while stopping at times to notice each other and how well they're doing. We go back to the present and they are the center of attention and continue to show their attraction towards each other. Throughout the chorus, we go back to the 90s and DY now just watches Katy dance beautifully while causing mayhem with her weapon. In the present, we see that DY is taking back Katy to his place in a fancy limousine. They both are drunk and just going with their instincts until her friends stop the limo. The final chorus comes back to the 90s Katy and DY are both leaving the successful club murder, but she knows that he's gonna double-cross her as soon as he gets what he wants. She then flirts with him to let his guard down while using the weapon to knock him onto the ground and finished what needed to be done, no witnesses.

[Verse 1]
I miss Long Beach and I miss you, babe
I miss dancing with you the most of all
I miss the bar where the Beach Boys would go
Dennis' last stop before Kokomo

[Pre-Chorus]
Those nights were on fire
We couldn't get higher
We didn't know that we had it all
But nobody warns you before the fall

[Chorus]
And I'm wasted
Don't leave‚ I just need a wake-up call
I'm facing the greatest
The greatest loss of them all
The culture is lit and I had a ball
I guess I'm signing off after all

[Guitar Solo]

[Verse 2]
I miss New York and I miss the music
Me and my friends‚ we miss rock 'n' roll
I want shit to feel just like it used to
When‚ baby, I was doing nothin' the most of all
[Pre-Chorus]
The culture is lit, and if this is it‚ I had a ball
I guess that I'm burned out after all

[Chorus]
I'm wasted
Don't leave, I just need a wake-up call
I'm facing the greatest
The greatest loss of them all
The culture is lit and I had a ball
I guess that I'm burned out after all

[Outro]
If this is it, I'm signing off
Miss doing nothin' the most of all
Hawaii just missed that fireball
L.A. is in flames‚ it's getting hot
Kanye West is blond and gone
"Life on Mars?" ain't just a song
I hope the live stream's almost on

[Verse 1]
My heart's gone double time
Got me catching butterflies
You came in and you said hello
Where you came from heaven knows, heaven knows

[Pre-Chorus]
Yeah in a flash of light, felt like forever
It was you and I, growing old together
In a flash of light, you must have seen it too

[Chorus]
I thought we had a moment
We'll be looking back on when we're older
Laughing about the minute that I told ya
We'll never be lonely from this moment

[Verse 2]
My heart went doublе time
And for a second you werе mine
It doesn't really matter though
'Cause easy come and easy go

[Chorus]
Oh, I thought we had a moment
We'll be looking back on when we're older
Laughing about the minute that I told ya
We'll never be lonely from this moment
Just for a moment
Oh, I thought we had a moment
We'll be looking back on when we're older
When everything felt like it's supposed to
We'll never be lonely from this moment
Just for a moment

[Bridge]
There was a flash of light, felt like forever
It was you and I, growing old together
In a flash of light, you must have seen it too
Did you feel it too?

[Chorus]
Oh, I thought we had a moment
We'll be looking back on when we're older
Laughing about the minute that I told ya
We'll never be lonely from this moment
Just for a moment
Oh, I thought we had a moment
We'll be looking back on when we're older
When everything felt like it's supposed to
We'll never be lonely from this moment
Just for a moment
Can we have this moment over and over?
Can we have this moment just for a moment?

[Verse 1]
We could pack up this house, get out of town
Drive across country, one taillight out
You wouldn't need anything else now, would ya?
Just all my books and your old Daytona

[Pre-Chorus]
Yeah, it's fine
Where you going, sunshine?
We got time
Sit back and I'll drive you to

[Chorus]
All the pretty places
Pull us away from where the pain is
These open skies
Leaving the past behind
I would for all the pretty places

[Verse 2]
Watch the sunrise, sunset, same day
When was the last time you did that anyways?
Singing to the radio, don't worry, baby
With the windows down, I can feel it in the air tonight

[Pre-Chorus]
Yeah, it's finе
Where you going, sunshine?
Wе got time
Sit back and I'll drive you to


[Chorus]
All the pretty places
Pull us away from where the pain is
These open skies
Leaving the past behind
I would for all the pretty places

[Bridge]
I'll go anywhere
Let's go right now
Go anywhere
Doesn't matter how far
I'll go anywhere
All I need is you
I'll go anywhere
All we got is us now

[Refrain]
Come with me
Come with me
Come with me
Come with me to

[Chorus]
All the pretty places
Pull us away from where the pain is
These open skies
Leaving the past behind
I would for all the pretty places


[Outro]
I'll go anywhere
Let's go right now
Go anywhere
Doesn't matter how far
I'll go anywhere
All I need is you
I'll go anywhere
All we got is us now
I'll go anywhere
Let's go right now
Go anywhere
Doesn't matter how far
I'll go anywhere
All I need is you
I'll go anywhere
All we got is us now

[Verse 1: Kelsea Ballerini]
Half of my high school got too drunk
Half of my high school fell in love with the girl next door
In their daddy's Ford
And half of my main street's mini skirts
Half of my main street's dressed for church
It could use some rain and a fresh coat of paint

[Chorus: Kelsea Ballerini & Sam Hunt]
Half of my hometown's still hangin' around
Still talkin' about that one touchdown
They're still wearin' red and black
"Go Bobcats" while the other half
Of my hometown, they all got out
Some went north, some went south
They're still lookin' for a feelin' half of us ain't found
So stay or leave, part of me will always be
Half of my hometown

[Verse 2: Kelsea Ballerini, with Sam Hunt]
Half of our prom queens cut their hair
Half of them think that it ain't fair
The quarterback moved away and never came back
Half of my family is happy I left
The other half worries I'll just forget
Where I came from
Same place where they came from



[Chorus: Kelsea Ballerini & Sam Hunt]
Half of my hometown's still hangin' around
Still talkin' about that one touchdown
They're still wearin' red and black
"Go Bobcats" while the other half
Of my hometown, they all got out
Some went north, some went south
They're still lookin' for a feelin' half of us ain't found
So stay or leave, part of me will always be
Half of my hometown

[Post-Chorus: Kelsea Ballerini, with Sam Hunt]
Mmm, half of my hometown (Oh)

[Bridge: Kelsea Ballerini, with Sam Hunt]
Backroads raise us
Highways, they take us
Memories make us wanna go back

[Chorus: Kelsea Ballerini, with Sam Hunt
To our hometown, settle down
Talk about that one touchdown
Raise some kids in red and black
"Go Bobcats" while the other half
Of our hometown was in the crowd
They knew the words, they sang them loud
And all I wanna do is make them proud
'Cause half of me will always be Knoxville, Tennessee
My hometown


[Outro: Kelsea Ballerini & Sam Hunt]
Oh
My hometown
My hometown

the video begins in outer space, you hear the chilling ambient noise of the vast emptiness of space


the music starts playing, all the shots in the video have a retro film filter on them with a vaporware aesthetic, the title of the song is shown on the screen alongside Ava's name, as the text goes out of frame as the camera zooms in you see a meteorite zooming through space but as it zooms in, its actually Ava zooming through space, with her eyes closed she begins to sing the song as shes falling down to earth at a fast rate, it cuts to some stunning clips of the galaxy, stars, and planets. 


it cuts to a new shot of Ava on top of a hill with the moon behind her so huge as if it's so close to her, she has her blonde half-cut hair, while wearing a shiny sparkly white bra with matching sparkily white pants, and huge white boots, she seems to be having fun while singing the song the shot transitions to a shot of the earth


 and then it changes to a new scene in a city at night while the sky is mixed with blue and purple colors, and from the sky, you see Ava from the first scene entering earth's atmosphere and breaking through the clouds right before the final chorus starts, you see peoples reactions from the city as she zooms over the city, while she is singing


 she reaches the hills that Ava from the second scene was in, second Ava stands up peacefully and looks directly at the Ava rushing from the sky in a slow-motion shot, and right before Ava smashes into the ground, you see a shot of both Ava's having their fingers pointed at each other with a blue spark between them, which is clear inspiration from the iconic 'The Creation of Adam' painting, it then cuts to black and the video ends.

[Intro]
This is a song about a person I love

[Verse 1]
I've got a toxic attitude and lack self-control
A reasonably fucked up individual
Need you to cleanse my sins so I can go to school
P-P-P-Please
They're gonna lock me in the closet but I'm coming out
Singing fuck all the oppression and the self doubt
I'm gonna bite all of your fingers, put 'em in my mouth
I'm on my knees

[Chorus]
So take it easy, take it easy, take it easy, girl
Take it easy, take it easy on me
I know you're so hard to please
Just take it easy, take it easy on me

[Verse 2]
She got, she got my heart in her hands like a headlock
I can't see straight, ten seconds past five o'clock
I don't know what she's doing, but she'll do me wrong
She's such a tease
She holds all the p-p-power in her fingertips
She's gonna suck on my strawberry lipstick
She's gonna taste my body with her fingertips
I cannot breathe, I can't breathe

[Chorus]
So take it easy, take it easy, take it easy, girl
Take it easy, take it easy on me
I know you're so hard to please
Just take it easy, take it easy on me
Take it easy on me
Oh, take it
Woah

[Outro]
You can have it all
If you don't take my heart
You can have it all
If you, you take it easy, take it easy on me
You take it easy, take it easy on me
You take it easy, take it easy on me

[Intro]
Okay, here we go

[Verse 1]
I'm sat inside a goldfish tank
Where people fix themselves with rubber bands
I don't want them to believe that I am different
I'm on a ledge that's two feet high
And contemplating silent suicide
When everybody seemed to make it

[Pre-Chorus]
It's quiet in Beverly Hills
I'm dying in Beverly Hills

[Chorus]
I'll love you all of my life
Until you close your eyes for good
I'll love you all of my life, all of my life
All of my life, all of my life

[Verse 2]
See, I got friends who fuck their friends and play pretend
So they can dream again
They buy their hearts from online shopping
And when what you see is make-believe
You pride yourself on what you fail to be
And therapy told me my blood was orange

[Pre-Chorus]
It's quiet in Beverly Hills
I'm dying in Beverly Hills
I'm lying in Beverly Hills
You're flying in Beverly Hills

[Chorus]
I'll love you all of my life
Until you close your eyes for good
I'll love you all of my life, all of my life, all my life
I'll love you all of my life
Until you close your eyes for good
I'll love you all of my life, all of my life
All of my life, all of my life, all of my life

What, what, what, whatcha say, Mrs. Isabel?
I'm flagging you down for a misdemeanor
It must look different from your mezzanine
You got me, got me feeling out of touch, Hall & Oates
Push it out, wish me luck

You got a way, you're messing with my faith
You're tryna paint a picture but you're running out of paint
You had your say 'til I took it away
Out of yours in my controlla

I'm pushing 20, got no time for others (Pushing, pushing)
I'm pushing 20, got no time for others (Pushing, pushing)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think
I'm pushing 20, got no time for others (Pushing, pushing, pushing)
I'm pushing 20, got no time for others (Pushing, pushing, pushing)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think

I'm pushing 20, I ain't talking 'bout a Beamer
And while you're wasting time, the money's in the meter
So I can start from scratch, make you a believer
Or I can just, da da da
Act like I don't give a, uh

You got a way, you're messing with my faith
You're tryna paint a picture but you're running out of paint
You had your say 'til I took it away
Out of yours in my controlla

I'm pushing 20, got no time for others (Pushing, pushing)
I'm pushing 20, got no time for others (Pushing, pushing)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think
I'm pushing 20, got no time for others (Pushing, pushing, pushing)
I'm pushing 20, got no time for others (Pushing, pushing, pushing)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think

I got no time, I got no time
No, no, no, no rewind
No, no rewind, yeah
I got no time, I got no time (I got no time, no)
No, no, no, no rewind (No, no, no, no, no rewind, no)
No, no rewind

I'm pushing 20, got no time for others (I'm pushing 20, babe)
I'm pushing 20, got no time for others (I'm pushing 20, babe)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think (Tell me what to be)
I'm pushing 20, got no time for others (I'm pushing, pushing, babe)
I'm pushing 20, got no time for others (You know it, know it, babe)
Who ain't on the same wave, yeah, on the same page
Tryna tell me what to be, yeah, tell me what to think

I got no time, I got no time
No, no, no, no rewind
No, no rewind, yeah (I got no)
I got no time, I got no time (I got no time, no)
No, no, no, no rewind (No, no, no, no rewind, no)
No, no rewind

[Intro]
Ooh-ooh-ooh
Ah-ah-ah-ah-ah
[Verse 1]
Brown guilty eyes and
Little white lies, yeah
I played dumb, but I always knew
That you talked to her, maybe did even worse
I kept quiet so I could keep you
[Pre-Chorus]
And ain't it funny how you ran to her
The second that we called it quits?
And ain't it funny how you said you were friends?
Now it sure as hell don't look like it
[Chorus]
You betrayed me
And I know that you'll never feel sorry
For the way I hurt, yeah
You talked to her when we were together
Loved you at your worst, but that didn't matter
It took you two weeks to go off and date her
Guess you didn't cheat, but you're still a traitor
[Verse 2]
Now you bring her around just to shut me down
Show her off like she's a new trophy
And I know if you were true
There's no damn way that you
Could fall in love with somebody that quickly
[Pre-Chorus]
Ain't it funny? All the twisted games
All the questions you used to avoid
Ain't it funny? Remember I brought her up
And you told me I was paranoid?
[Chorus]
You betrayed me
And I know that you'll never feel sorry
For the way I hurt, yeah
You talked to her when we were together
Loved you at your worst, but that didn't matter
It took you two weeks to go off and date her
Guess you didn't cheat, but you're still a traitor
[Bridge]
(Ah-ah-ah)
God, I wish that you had thought this through
Before I went and fell in love with you
(Ah-ah-ah)
When she's sleepin' in the bed we made
Don't you dare forget about the way
[Chorus]
You betrayed me
'Cause I know that you'll never feel sorry
For the way I hurt, yeah
You talked to her when we were together
You gave me your word, but that didn't matter
It took you two weeks to go off and date her
Guess you didn't cheat, but you're still, you're still a traitor
(Ah-ah-ah)
Yeah, you're still a traitor
[Outro]
Ooh-ooh-ooh
God, I wish that you had thought this through
Before I went and fell in love with you

1. the way i used to - 3:15
Produced by Jimmy Robbins, Ross Copperman & Kelsea Ballerini
Written by MarcLo, SG Lewis, Steph Jones, Kelsea Ballerini, Julian Bunetta, Ian Kirkpatrick & Cass Lowe

Audio & Lyrics:

2. hole in the bottle - 2:36
Produced by Jesse Frasure & Kelsea Ballerini
Written by Hillary Lindsey, Steph Jones, Ashley Gorley, Jesse Frasure & Kelsea Ballerini

Audio & Lyrics:

3. bragger - 2:46
Produced by Jimmy Robbins, Ross Copperman & Kelsea Ballerini
Written by Kelsea Ballerini, Ross Copperman, Nicolle Galyon, Shane McAnally & Jimmy Robbins

Audio & Lyrics:

4. the other girl (with Dua Lipa) - 3:21
Produced by Shane McAnally, Ross Copperman & Kelsea Ballerini
Written by Shane McAnally, Ross Copperman & Kelsea Ballerini

Audio & Lyrics:

5. club - 3:01
Produced by Jimmy Robbins & Kelsea Ballerini
Written by Nicolle Galyon, Kelsea Ballerini & Jimmy Robbins

Audio & Lyrics:

6. overshare 2:50
Produced by Jesse Frasure & Kelsea Ballerini
Written by Kelsea Ballerini, Jesse Frasure, Josh Osborne & Tayla Parx

Audio & Lyrics:

7. love me like a girl - 2:57
Produced by Ross Copperman & Kelsea Ballerini
Written by Lauren Grieve, Kelsea Ballerini, Ross Copperman, Hillary Lindsey & Jordan Minton

Audio & Lyrics:

8. love and hate - 2:58
Produced by Ross Copperman & Kelsea Ballerini
Written by Kelsea Ballerini, Ross Copperman & Ed Sheeran

Audio & Lyrics:

9. homecoming queen? - 2:48
Produced by Kelsea Ballerini & Jimmy Robbins
Written by Nicolle Galyon, Kelsea Ballerini & Jimmy Robbins

Audio & Lyrics:

10. half of my hometown (feat. Sam Hunt) - 3:52
Produced by Jimmy Robbins, Ross Copperman & Kelsea Ballerini
Written by Kelsea Ballerini, Ross Copperman, Nicolle Galyon, Shane McAnally & Jimmy Robbins

Audio & Lyrics:

11. needy - 3:12
Produced by Jimmy Robbins, Ross Copperman & Kelsea Ballerini
Written by Kelsea Ballerini, Ross Copperman & Julia Michaels

Audio & Lyrics:

12. a country song - 3:13
Produced by Jimmy Robbins & Kelsea Ballerini
Written by Kelsea Ballerini, Nicolle Galyon & Jimmy Robbins

Audio & Lyrics:

13. la - 2:47
Produced by Kelsea Ballerini & Jimmy Robbins
Written by Kelsea Ballerini

Audio & Lyrics:

On set of the “Look What You Made Do” music video, specifically the dance routine scene with the gay dancers, Taylor and the dancers do the routine’s final steps as the song plays out loud. With the camera being positioned far from Taylor and the dancers, the “Look What You Made Do” music video set is visible, including some of the crew watching.

Look what you made me do
Look what you just made me do
Look what you just made me do



Taylor holds her pose, and the director is heard yelling “Cut!”. The dancers and Taylor smile and embrace one another, as the crew begin to applaud. Taylor Swift proceeds to thank all of the cast and crew for shooting the music video. The camera pans to her now walking off set in a white robe covering her outfit from the music video.



Switching scenes, Taylor is now seen driving in her fancy black convertible, on an empty desert road, still in her white robe. As she’s seen driving, the camera very briefly switches to a shot of the digital clock inside her car reading “9:17”.



Going back to Taylor driving, weird sounds coming from the car are now audible, and moments later the car begins to slow down, before coming to an abrupt stop. Taylor gets out of the car and walks over to the front to check out its hood. As she opens the hood of the car, pastel pink smoke and butterflies come blasting out of it.



She looks visibly frustrated. Reaching for her pocket and taking out her cellphone, Taylor tries to call for help, but her cellphone is dead.

Looking distressed, Taylor begins to walk down the road, leaving her car behind. Seconds after starting to walk, she removes her black high-heeled boots, and continues to walk, looking hopeless. The opening instrumental to “Butterflies” begins to play.



The camera switches to a panning shot, showing the empty desert road and a lone Taylor Swift walking. Switching back to a shot focused on Taylor, she begins to sing the lyrics of the song as she keeps on walking.

Turning around, Taylor sees a vehicle coming in the distance. She stops walking and jumps up and down, hoping to catch the vehicle’s attention as she also holds out the hitchhiker sign. As the car comes closer to her, the camera switches to a shot of it. It is a rusty-looking red pickup truck, and inside it sits a young man (who appears to be around Taylor’s age) wearing a baseball cap.

The man stops for Taylor. While she initially looks reluctant, Taylor decides to get in the man’s truck, and they are seen driving off.

And out of the blue, I fell for you



During the chorus, the camera switches to inside the pickup truck. Initially, Taylor and the man sit in silence, with her gazing out the passenger seat window, as the camera follows her view. But eventually, they start to converse, and moments later they are seen laughing. Taylor does the Debby Ryan hair push, as she smiles at the man.

The next scene, during the second verse, is the pickup truck pulling into ‘High Horse Diner’. As they enter the restaurant, which is full of pastel colours, has spunky walls made out of velvet, Taylor and the man take a seat at one of the 13 booths.

Conversing, smiling, and laughing once more as they drink milkshakes, the man leans over to wipe a milk moustache Taylor got from the drink. He smiles as he does so.



Getting out of his seat, the man walks over to the diner’s jukebox. The camera switches to a close-up of him entering coins and selecting “Hound Dog” by Elvis Presley. He begins to dance to the song, and after a while, Taylor gets out of his seat and joins him in dancing. “Butterflies”’ chorus plays during this scene.



Getting carried away from the dancing, Taylor accidentally bumps into a macho biker man, who has two large cowboy hats tattooed on his right arm, causing him to spill his drink on his shirt. The macho biker man looks enraged, but the pickup truck driver grabs Taylor’s hand and they run out of the dinner laughing, and driving away quickly.



During the song’s instrumental breakdown, montage scenes of Taylor and the man at a gas station are shown. In the scenes, they are seen running around filling shopping carts with candy, junk food, and clothes, then later are shown in the gas station bathroom as Taylor gives the man a buzzcut and he aids her in putting on blue hair clips.



The montage abruptly ends with them now in the parking lot of the gas station. Taylor is now wearing colourful pastel clothes that he purchased for her. With red and pink neon lights surrounding them as they stand with each other, it is a beautiful sight. The two embrace forehead to forehead, as she sings the lyrics of the bridge to him.

And now, you're lifting me up 'stead of holding me down



Right as it looks like Taylor and the man are about to kiss, the screen suddenly goes white.

In an instant, the shot is back to the earlier driving scene in the pickup truck. The man waves his hand in front of Taylor’s face, and it is revealed that she was daydreaming all this time. She is back wearing the white robe she had on.

As she zones back into reality, she looks romantically at the man and smiles. He blushes and smiles back at her.



The camera pans out of the car and shows it driving away. Briefly focusing on the pickup truck’s license plate, the camera stays steady as the car fades into the distance.



As the song fades away, two butterflies flap in the sky.

The video opens up in a grassy field with Kelsea picking a flower and doing the classic “he loves me, he loves me not” routine with the petals. She lies down and the wind blows the tall grass over her and cuts to her walking down a pretty Los Angeles street.



“I’ve got some famous friends that I could call but I don’t know if I’m cool enough.”

She walks past the famous LA restaurant, Nobu, and stops to peer in the window where she sees Dua Lipa attending a big party. She continues on her walk and the camera is facing her so you only see stuff as it passes behind her.



A big party bus full of a wedding party goes by one side. She mindlessly walks through the arms of a couple holding hands. She turns around to apologize and when she turns back to face the camera the scene is transformed to a fancy bar.



She looks sad and is sitting alone. She takes a sip of the wine glass in front of her and the camera pans to the left side a bit so we can see what’s behind her and we see several country music stars, including Sam Hunt, joking around.

“Confettis fallin’ friends are callin’ saw me on the TV”

A bunch of the stars pop party poppers and the confetti falls over Kelsea. The confetti blows away and Kelsea is now on the Santa Monica pier at night.



The wind is blowing and she leans over to see her reflection in the water. She reaches out to touch it and her hair taps the top of the water distorting her reflection. When the water completely settles it turns into a mirror and Kelsea is at her home in Nashville looking at herself in the mirror. She leaves the bathroom, pets her dog who comes to greet her, and then crawls into bed where her husband is and smiles.

[Intro]
If you don't wanna see me

[Verse 1]
Did a full one-eighty, crazy
Thinking 'bout the way I was
Did the heartbreak change me? Maybe
But look at where I ended up
I'm all good already
So moved on, it's scary
I'm not where you left me at all, so

[Pre-Chorus]
If you don't wanna see me dancing with somebody
If you wanna believe that anything could stop me

[Chorus]
Don't show up, don't come out
Don't start caring about me now
Walk away, you know how
Don't start caring about me now

[Verse 2]
Aren't you the guy who tried to
Hurt me with the word "goodbye"?
Though it took some time to survive you
I'm better on the other side
I'm all good already
So moved on, it's scary
I'm not where you left me at all, so

[Pre-Chorus]
If you don't wanna see me dancing with somebody
If you wanna believe that anything could stop me
(Don't, don't, don't)

[Chorus]
Don't show up, don't come out
Don't start caring about me now
Walk away, you know how
Don't start caring about me now ('Bout me now, 'bout me)

[Bridge]
Up, up
Don't come out, out, out
Don't show up, up, up
Don't start now (Oh)
Up, up
Don't come out, out
I'm not where you left me at all, so

[Pre-Chorus]
If you don't wanna see me dancing with somebody
If you wanna believe that anything could stop me

[Chorus]
Don't show up (Don't show up), don't come out (Don't come out)
Don't start caring about me now ('Bout me now)
Walk away (Walk away), you know how (You know how)
Don't start caring about me now (So)

[Outro]
Up, up
Don't come out, out, out
Don't show up, up, up
Walk away, walk away (So)
Up, up
Don't come out, out, out
Don't show up, up, up
Walk away, walk away, oh

[Intro: H.E.R.]
Oh, hey

[Verse 1: H.E.R.]
You don't know babe
When you hold me
And kiss me slowly
It's the sweetest thing
And it don't change
If I had it my way
You would know that you are

[Pre-Chorus 1: H.E.R.]
You're the coffee that I need in the morning
You're my sunshine in the rain when it's pouring
Won't you give yourself to me
Give it all, oh

[Chorus: H.E.R. & Daniel Caesar]
I just wanna see
I just wanna see how beautiful you are
You know that I see it
I know you're a star
Where you go I'll follow
No matter how far
If life is a movie
Oh you're the best part, oh
Then you're the best part, ooh
Best part

[Verse 2: Daniel Caesar]
It's this sunrise
And those brown eyes, yes
You're the one that I desire
When we wake up
And then we make love (Make love)
It makes me feel so nice

[Pre-Chorus 2: Daniel Caesar]
You're my water when I'm stuck in the desert
You're the Tylenol I take when my head hurts
You're the sunshine on my life

[Chorus: Daniel Caesar & H.E.R.]
I just wanna see how beautiful you are
You know that I see it
I know you're a star
Where you go I'll follow
No matter how far
If life is a movie
Then you're the best part, oh
You're the best part, ooh
Best part

[Outro: Daniel Caesar & H.E.R.]
If you love me, won't you say something?
If you love me, won't you?
Won't you?
If you love me, won't you say something?
If you love me, won't you?
Love me, won't you?
If you love me, won't you say something?
If you love me, won't you?
If you love me, won't you say something?
If you love me, won't you?
Love me, won't you?
If you love me, won't you say something?
If you love me, won't you?
If you love me, won't you say something?
If you love me, won't you?