CAL: Releases

1. **
2. STFU!
3. ***** *** ******* (**** *** ****)
4. *** *** ***** **** ***? (feat. xxx xxxxx)
5. ******** ***
6. *********'
7. **** ** * **
8. *** *******
9. **** **** ***** (Interlude)
10. **** ***** **** *** ***?
11. Cherry
12. ***** **** *****
13. ****** ****** (feat. xxxxx xxxx)
14. *********

Instead of a traditional music video, the video for Lady May is made up of a collection of home footage from Sam's past few summer months, which include the last stages of the creation process of "Sometimes You Gotta Start Nowhere". The video begins with a shaky camera storming through the hallways of a holiday villa. "ITS DONE ITS DONE ITS DONE ITS DONE", Sam shouts from behind the camera. We finally reach the kitchen, where is wife is in the middle of baking and looks distraut and annoyed. "What are you screaming about? I'm kinda busy here" "THE ALBUMMMM" Her demeanor immediately changes. She drops everything and rushes to give him a passionate kiss. Sam turns the camera so both of them can be seen. Lady May begins to play. We start cutting to different footage. First footage of Sam and some friends drinking beer and fishing by the lake, then him and his wife playing with their nephews, his father having some seemingly important talk with him and tearing up as Sam hugs him, him shirtless working out and a couple of other short clips. Halfway through the song we cut to a clip of the recording of the track. Sam and his collaborator Sturgill Simpson are cowering in makeshift recording booth, made up of cardboardbox walls, a blanket and a mic. Sturgill is playing the instrumental of the song on the guitar as Sam sings a verse of the track that didnt make it onto the final cut. As soon as Sam is done Sturgill bursts out laughing. "Nah those last few lines gotta go. They sound corny as hell man. Maybe even the whole verse". Sam looks deadpan into the camera, The Office-style. The rest of Lady May plays as we go through more footage. Sam sits on his porch, listening to something on his laptop. The camera flashes over it for a quick moment to reveal he is listening to a file titled "keke's-vocals.flac". Sam and his wife planting flowers in the garden, the two jumping naked into a river (their nude behinds can be seen) and a few other clips. As the song's outro plays, we see a clip of Sam sitting on his own during a barbeque, looking sad and contemplatative while everyone else is having fun. His wife walks up to him from behind and gives him a hug. He holds on tight to her arms, clearly scared to let her go. She whispers something into his ear and a tear rolls down his cheek. They kiss. The End

[Verse 1]
I don't live for you, I live for me
If only that were true
If only I could prove that on my own, I'm worthy
Funny how it feels like we're talking to each other on the other line
But it's quiet here
Nothing playing but the song of asystole

[Chorus]
Asystole, asystole
Asystole, asystole

[Verse 2]
And I can't get my head to say anything my heart could ever understand
I want to forget
But the feeling isn't something I can let myself let go of
The trouble is the way you stick
To any part of me that remains intact
But if I pull the plug
It isn't only me that I'm holding back

[Chorus]
Asystole, asystole
Asystole, asystole

[Outro]
Revive your love in me
Revive another side of me
My eyes, they see the poisoned devotion in me
Revive, revive, revive asystole, asystole

The video begins pitch black. Voices, first barely audible and then outright screaming, can be heard. It takes a few moments to realize they are hurling insults. "SHOULD HAVE STAYED ON DISNEY" "YOU ARE A DISGUSTING MANEATER" "YOU HAVE BEEN DROPPING MUSIC FOR YEARS AND ARE STILL A FLOP". A slew of other disgusting, misogynstic statements can be heard until finally "YOU ARE A TRAITOR".

We finally see where the insults are stemming from. A limousine is trying to drive, but it's surrounded by a mob of angry people. Sabrina's silhoutte is barely visible through the tinted window in the back of the vehicle. The driver tries to slowly inch forward, but loses it when someone from the crowd attempts to break the window to get to Sabrina. He plows through the crowd, sending bodies flying across the street.

The limousine arrives at a massive, opulent mansion with a gorgeous garden and a statue of Sabrina at the front. Pushing 20 begins to play and Sabrina struts out of the car, wearing a black coat and serving the confidence of a runway model. She walks up to the massive door and looks up at a neon pink sign that states "Happy Birthday".

As she steps in her outfit suddenly changes to a gorgeous blue coat with nothing but black lingere underneath. Inside is every girls dream birthday bash. Hot shirtless men, all of Sabrina's best friends, decorations matching her outfit in color, pink champagne etc... She joins the party, singing and dancing and grinding on guys. One of them leads her away to the dining room, where he seats himself at the head of the table. She strips off her coat and crawls onto the table towards him. There is massive sexual tension, but right before he thinks she is about to kiss him she pulls back and falls into the seat of a white car.

We pull back to find the car in a pink room, surrounded by flowers and dancers camoflauged as such. Sabrina climbs onto the hood of the car, suddenly wearing a pink outfit, and performs a slay choreo alongside the floral dancers. Suddenly black paint splatters from above, partially tainting the entire room. A female dancer dressed in orange appears out of thin air and rips off Sabrina's pink attire to reveal another skin-right, black outfit. More dancers in dressed in orange rush onto the stage and they get in formation for...

One final epic dance number with a new choreo.

It’s nighttime and we see the four girls hiding behind a hedge. One of them pulls out a set of binoculars and holds them up to her eyes. We see what she is and it’s the inside of a room through a sliding glass door. We see there is a guy that walks in front of the door with a girl and he takes his shirt off. He turns around and sees the girls and runs out onto his porch yelling at them. The girls run off and into the building. You then see them all in a hotel room having a slumber party. You see them all eating pizza and looking through Instagram at pictures of the guy with the girl. The video fades out and you see the girls passed out on their bed. They get cleaned up a bit then open their door to head out. When they get into the hallway of the hotel they look right and see the guy from before. He notices them and drops his coffee and runs off in the opposite direction. The girls shrug and go the other way, not seeming to mind. After this you see them walking down the street and they see the girl from the hotel room on the other side walking the other way. When they see her they group up and start pointing and whispering amongst themselves. Later that night you see them getting super dressed up. They walk out the hall and there’s a nice shot of them slo-mo strutting down the hallway. They make it to a room farther down the hall and the door is propped open. They walk in and walk up to the guy and girl they’ve been spying on. They tap him on the shoulder and he turns around all freaked out. They push him out of the way and start talking to the girl. One of them stays kind of behind and visibly checks out the guy. Freaked out he storms off and all five girls laugh to end the video.

1. "Green Light" -
Written by Lorde, Annie Clark, Dua Lipa
Produced by Lorde & Annie Clark

Audio & Lyrics:

2. "Sober" - 3:17
Written by Lorde, Annie Clark, Frank Dukes
Produced by Lorde, Annie Clark

Audio & Lyrics:

3. "Homemade Dynamite" - 3:10
Written by Lorde, Louis Bell, Joel Little, Ali Tamposi
Produced by Lorde, Frank Dukes

Audio & Lyrics:

4. "The Louvre" - 4:31
Written by Lorde, Annie Clark, Frank Dukes
Produced by Lorde

Audio & Lyrics:

5. "Liability" - 2:52
Written by Lorde
Produced by Lorde

Audio & Lyrics:

6. "New York" - 2:34
Written by Lorde, Annie Clark, Harry Styles
Produced by Lorde, Annie Clark

Audio & Lyrics:

7. "Hard Feelings/Loveless" - 6:07
Written by Lorde, Annie Clark, Rina Sawayama
Produced by Lorde, Annie Clark, Ian Kirkpatrick

Audio & Lyrics:

8. "Sober II (Melodrama)" - 2:59
Written by Lorde, Annie Clark, Frank Dukes
Produced by Lorde, Annie Clark

Audio & Lyrics:

9. "Writer In The Dark" - 3:37
Written by Lorde, Annie Clark
Produced by Lorde, Annie Clark

Audio & Lyrics:

10. "Supercut" - 4:38
Written by Lorde, Jack Antonoff
Produced by Lorde, Jack Antonoff, Frank Dukes

Audio & Lyrics:

11. "Liability (Reprise)" - 2:16
Written by Lorde, Annie Clark, Matthew Healy
Produced by Lorde, Annie Clark, Amber Bain

Audio & Lyrics:

12. "Perfect Places" - 3:42
Written by Lorde, Annie Clark, Amber Bain
Produced by Lorde, Annie Clark, Kevin Parker

Audio & Lyrics:

The music video for Supercut starts with a shot of Lorde wearing a blue suit in a bookstore. We see her walking around the bookstore for a few seconds, until she finds a dark blue notebook covered in ribbons, which she is drawn to straight away. She unfolds the ribbon and opens the blue notebook, and the scene changes and turns to a shot of Lorde roaming around the streets of Manhattan at night, where she looks happy and upbeat. The song starts playing (In my head/I play a supercut of us). In the new scene, Lorde is wearing a different outfit from the one she was wearing in the bookstore. She is now wearing a pink suit. She walks around the streets of New York during the first verse, up until the pre-chorus where she starts speed-walking and presumably looking for someone. During the chorus, the screen turns into a blur and the viewer can’t see Lorde or the video clearly. By the time the 2nd verse starts, the screen turns clear again and Lorde finds the person she was looking for. We see her boyfriend in a bar, and she pulls him out [in a friendly way]. They leave the bar together laughing like :juicyhihi:. By the time the second pre-chorus starts, we see Lorde and her boyfriend get into a car and turn the volume of the radio up straight away, showing them listening to “Let’s Dance” by David Bowie. For the second time in the video, the screen turns into this blurry distorted view when the chorus is playing [illustrating that Lorde is daydreaming at the bookstore from the start of the vid, and is looking back at previous events from her relationship :msjuicybby:]. During the refrain, we see cute and romantic shots of Lorde and her ex-boyfriend. Their car ride then stops, and we see them exit the car and dance in the rain during the outro. The video ends with her ex telling her he has a gift for her, and the gift is the dark blue notebook that we see at the start of the video. The video ends with shot of them in the rain.

[Verse 1]
I don't live for you, I live for me
If only that were true
If only I could prove that on my own, I'm worthy
Funny how it feels like we're talking to each other on the other line
But it's quiet here
Nothing playing but the song of asystole

[Chorus]
Asystole, asystole
Asystole, asystole

[Verse 2]
And I can't get my head to say anything my heart could ever understand
I want to forget
But the feeling isn't something I can let myself let go of
The trouble is the way you stick
To any part of me that remains intact
But if I pull the plug
It isn't only me that I'm holding back

[Chorus]
Asystole, asystole
Asystole, asystole

[Outro]
Revive your love in me
Revive another side of me
My eyes, they see the poisoned devotion in me
Revive, revive, revive asystole, asystole